All Concerts articles – Page 19
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ReviewConcert review: Veronika Eberle (violin) London Symphony Orchestra/Simon Rattle
Peter Quantrill hears the performance of Beethoven and Widmann at LSO St Luke’s, London, on 12 March 2022
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ReviewConcert review: Chamber Music Society of Lincoln Center
Bruce Hodges watches the performance of Enescu, Shostakovich and Mendelssohn octets at Alice Tully Hall, Lincoln Center, NY, on 6 March 2022
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ReviewConcert review: Ébène Quartet
Bruce Hodges visits New York’s Zankel Hall on 30 March 2022 for Mozart, Shostakovich and Schumann
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ReviewConcert review: Michael Barenboim (violin, viola) Nathalia Milstein (piano)
Carlos Maria Solare attends the performance at Berlin’s Boulezsaal on 31 March 2022 to hear Vieuxtemps’s Viola Sonata and Franck’s Violin Sonata
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ReviewConcert review: Alban Gerhardt (cello) Steven Osborne (piano)
Tim Homfray hears a recital of Shostakovich, Britten, Brahms and Dutilleux at London’s Wigmore Hall on 15 March 2022
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ReviewConcert review: Avi Avital (mandolin) Brooklyn Rider
Dennis Rooney attends the Kaufmann Auditorium, 92nd Street Y, NY, on 15 March 2022 for a concert of Boccherini, Osvaldo Golijov, Clarice Assad, Caroline Shaw, Colin Jacobsen and Lev Zhurbin
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ReviewConcert review: Alina Ibragimova (violin) Cédric Tiberghien (piano) Doric Quartet
Harriet Smith ventures to London’s Wigmore Hall on 30 March 2022 for a feast of Ysaÿe, Lekeu and Debussy
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ReviewConcert review: Daniel Lozakovich (violin) London Philharmonic Orchestra/Alpesh Chauhan
Peter Quantrill visits London’s Royal Festival Hall on 26 February 2022 for the performance of Prokofiev’s Second Violin Concerto
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ReviewConcert review: Benedetti–Elschenbroich–Grynyuk Trio
Tim Homfray hears the trio perform at London’s Wigmore Hall on 24 February 2022
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ReviewConcert review: Alexi Kenney (violin) Daniel Müller-Schott (cello) Francesco Piemontesi (piano)
Charlotte Gardner watches the trio perform at London’s Wigmore Hall on 31 January 2022
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ReviewConcert review: Escher Quartet, Andreas Haefliger (piano)
Tim Homfray attends London’s Wigmore Hall for the recital on 17 February 2022
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ReviewConcert review: Castalian Quartet
Leah Hollingsworth visits the Weill Recital Hall in New York’s Carnegie Hall for the performance on 15 February 2022
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ReviewConcert review: Sam Magill, Deborah Davis, Eli Kaynor (Cellos) Dmitri Shteinberg (Piano)
Bruce Hodges tunes into the live-sreamed performance from Watson Concert Hall, University of North Carolina School of the Arts, on 22 February 2022
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ReviewConcert review: Chamber Music Society of Lincoln Center
Leah Hollingsworth reports on a performance of Françaix, Kodály and Coleridge-Taylor at the Rose Studio, Lincoln Center, on 10 February 2022 as part of the CMS’s ’Late Night Rose’ series
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ReviewConcert review: Cremona Quartet, David Shifrin (clarinet)
Dennis Rooney attends the performance at New York’s Alice Tully Hall on 1 February 2022
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ReviewConcert review: Leonidas Kavakos (violin) London Symphony Orchestra/Simon Rattle
Charlotte Gardner hears the premiere of Unsuk Chin’s Second Violin Concerto at London’s Barbican on 6 January 2022
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ReviewConcert review: Kian Soltani (cello) London Philharmonic Orchestra/Marin Alsop
Tim Homfray gives his thoughts on the performance at London’s Royal Festival Hall on 14 January 2022
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ReviewConcert review: Henning Kraggerud (violin) Ljubica Stojanovic (piano)
Tim Homfray visits London’s Wigmore Hall for the performance on 10 January 2022
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ReviewConcert review: Gabriel Martins (cello)
Leah Hollingsworth gives her thoughts on the performance of Bach’s first three Cello Suites at New York’s 92Y on 27 January 2022
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ReviewConcert review: Tai Murray (violin) Melissa Reardon (viola) Raman Ramakrishnan (cello) Doug Balliett (double bass) Aaron Wunsch (piano)
Bruce Hodges travels to New York’s Advent Lutheran Church for the performance on 17 January 2022
