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Historical
Video
A Far Cry performs Tchaikovsky’s Serenade on Cremonese instruments
Musicians from Boston chamber orchestra A Far Cry perform the first movement from Tchaikovsky’s Serenade for Strings from memory on Cremonese instruments selected from the vault of Reuning & Son
Video
Whittall Stradivarius Collection
Musicians talk about and demonstrate instruments donated to the Library of Congress by Gertrude Clarke Whittall in 1935. With Robert Mann, Alexis Galperine, Miles Hoffman, Rene Morel, Young Uck Kim, Daniel Phillips, and Samuel Zygmuntowicz.
Current issue
February
The Ébène Quartet marks its 20th anniversary with a worldwide Beethoven tour and live recordings.
VideoYehudi Menuhin School student on a violin once played in Auschwitz
In this video, 18-year-old Kingsley Lin, who is currently studying at the Yehudi Menuhin School, performs on a violin once played by Rosa Levinsky in the Auschwitz Women’s Orchestra. Levinsky spent the last five months of the war in Bergen-Belsen, and on being released in 1945, was transferred to a ...
- News
Violin played by woman in Auschwitz given new life by Yehudi Menuhin School pupils
18-year-old Kingsley Lin and 17-year-old Ezo Dem Sarici now play the instrument, once belonging to a member of the Auschwitz Women’s Orchestra
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In Focus: an 1810 violin by Nicolas Lupot
John Dilworth examines an instrument by the French maker
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In focus: a 1933 violin by Ansaldo Poggi
Roberto Regazzi examines an instrument by the Italian maker, whose fame and reputation have grown in recent years
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1987 documentary on Stradivari featuring Pinchas Zukerman
Pinchas Zukerman presents this 1987 documentary about Stradivari, also featuring Yo-Yo Ma Anne-Sophie Mutter and Charles Beare.
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Renzo Bacchetta, a legend in the making
Renzo Bacchetta’s wide-ranging influence on Cremona’s violin making culture and the promotion of Stradivari cannot be overstated, but as Luca Bastiani reveals, there is a darker side to the story, centring around Italy’s National Fascist Party
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Exploring the secrets of Stradivari's workshop
The workshop where Stradivari made the instruments of his golden period was demolished in 1938. Andrew Dipper uncovers the clues that give an insight into the great master's working environment
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The gain in Spain: German makers in Naples
In the 16th century, many European cities saw an influx of makers from Germany – and the cultural milieu and civic policies of Spanish-held Naples proved particularly attractive. Luigi Sisto explains how the expatriate community laid the groundwork for the city’s lutherie tradition
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Vuillaume's Early Years: The Making of a Master
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career are still shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
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Michel Collichon: The Magnificent Ten
Just a handful of instruments by Michel Collichon have survived to the present day – but they demonstrate the skill and techniques of a master innovator. With a tenth example recently identified, Shem Mackey explains the appeal of the 17th-century viol maker to modern-day luthiers
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Jacob Stainer: reviewing the situation
It has long been assumed that Jacob Stainer received some training in Cremona – but the theory rests on slim evidence. Rudolf Hopfner explores a middle-period violin using micro-CT technology to cast doubt on what we think we knowWolfgang Schneiderhan
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Auction Report: January 2020
Old Italians and a modern bow proved popular at this autumn’s auctions, as Kevin MacDonald reports
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On the borders of greatness
Giuseppe Sgarbi’s instruments have a unique vibrancy and individuality, while still respecting the traditional Cremonese forms. Lorenzo Frignani examines his career, as well as that of his son Antonio, to suggest why his work deserves more recognition than it has in the past
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From the Archive: a viola of the Gofriller School, Venice c.1700-10
An illustration of a viola of the Gofriller School published in The Strad, February 1962
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In focus: an 1819 violin by David Stirrat
David Rattray examines an instrument by the Edinburgh maker
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Witnesses to the fall
First published in the March 2014 issue to mark 25 years since the fall of the Berlin Wall, nine string players and makers from the East and West sides here reveal the stark contrast between life on either side of the divide
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A Massive Achievement
Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces. Alberto Giordano and Rudolf Hopfner investigate its turbulent history and examine how it fits into the Amati family’s oeuvre
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Like Fathers, Like Sons
This year marks the 50th anniversary of the death of Émile Auguste Ouchard, as well as the 40th of his son Bernard – both regarded as among the 20th century’s finest bow makers. Thomas Martin, Andrew McGill, Martin Lawrence and George Martin examine the legacy of the Ouchard dynasty, particularly ...
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From the Archive: an ornamented violin believed to be the work of J.B. Vuillaume
This illustration of a violin by J.B. Vuillaume was published in The Strad, February 1974. The following text is extracted from the article accompanying the photographs
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In Focus: 1778 violin by G.B. Guadagnini
Dorothy DeLay’s favourite instrument comes from Guadagnini’s Turin period, and shows the influence of his patron Count Cozio di Salabue, writes John Dilworth
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From the Archive: a Joseph Rocca violin, 1836
This illustration of a Joseph Rocca violin was published in The Strad, May 1938. The following text is extracted from the article accompanying the photographs
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