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Musicians from Boston chamber orchestra A Far Cry perform the first movement from Tchaikovsky’s Serenade for Strings from memory on Cremonese instruments selected from the vault of Reuning & Son
Musicians talk about and demonstrate instruments donated to the Library of Congress by Gertrude Clarke Whittall in 1935. With Robert Mann, Alexis Galperine, Miles Hoffman, Rene Morel, Young Uck Kim, Daniel Phillips, and Samuel Zygmuntowicz.
In this video, 18-year-old Kingsley Lin, who is currently studying at the Yehudi Menuhin School, performs on a violin once played by Rosa Levinsky in the Auschwitz Women’s Orchestra. Levinsky spent the last five months of the war in Bergen-Belsen, and on being released in 1945, was transferred to a ...
18-year-old Kingsley Lin and 17-year-old Ezo Dem Sarici now play the instrument, once belonging to a member of the Auschwitz Women’s Orchestra
Pinchas Zukerman presents this 1987 documentary about Stradivari, also featuring Yo-Yo Ma Anne-Sophie Mutter and Charles Beare.
Renzo Bacchetta’s wide-ranging influence on Cremona’s violin making culture and the promotion of Stradivari cannot be overstated, but as Luca Bastiani reveals, there is a darker side to the story, centring around Italy’s National Fascist Party
In the 16th century, many European cities saw an influx of makers from Germany – and the cultural milieu and civic policies of Spanish-held Naples proved particularly attractive. Luigi Sisto explains how the expatriate community laid the groundwork for the city’s lutherie tradition
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career are still shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
Just a handful of instruments by Michel Collichon have survived to the present day – but they demonstrate the skill and techniques of a master innovator. With a tenth example recently identified, Shem Mackey explains the appeal of the 17th-century viol maker to modern-day luthiers
It has long been assumed that Jacob Stainer received some training in Cremona – but the theory rests on slim evidence. Rudolf Hopfner explores a middle-period violin using micro-CT technology to cast doubt on what we think we knowWolfgang Schneiderhan
Giuseppe Sgarbi’s instruments have a unique vibrancy and individuality, while still respecting the traditional Cremonese forms. Lorenzo Frignani examines his career, as well as that of his son Antonio, to suggest why his work deserves more recognition than it has in the past
An illustration of a viola of the Gofriller School published in The Strad, February 1962
This year marks the 50th anniversary of the death of Émile Auguste Ouchard, as well as the 40th of his son Bernard – both regarded as among the 20th century’s finest bow makers. Thomas Martin, Andrew McGill, Martin Lawrence and George Martin examine the legacy of the Ouchard dynasty, particularly ...
This illustration of a violin by J.B. Vuillaume was published in The Strad, February 1974. The following text is extracted from the article accompanying the photographs