Current online issue

 

1_Front Cover 580x800

January

‘‘I'm not saying that I wouldn't ever listen to a performance of Bach on steel strings – I would, and I might enjoy it – but, for me, it has to be gut’
UK cellist Steven Isserlis discusses his new Bach companion and recording an album of solo works by British composers.

‘The Greek cross on the label evokes the lutherie traditions of Cremona’
Examining Guadagnini's 1773 'Cozio' viola from the start of the maker's Turin period.

''When the legs are free to move as we play, the stability and strength of the back is enhanced, also allowing better poise of the head on the neck''
Going down different Alexander technique 'pathways' can help all kinds of string players.

''There's always a direct line from the audience to us, and there's nowhere to hide'' Alexander Gilman, artistic director of the LGT Young Soloists on the group's new recording of Philip Glass.

If Stradivari had used different wood for his 1715 'Titian' violin what difference would it make to the sound?

''If you've got the energy and a few good ideas, this is the moment when you can get noticed'' Opportunities for young musicians in a post-Covid world .

SUBSCRIBE TO THE STRAD

READ THE ISSUE ONLINE

Join The Strad community

Register free to enjoy:

  • Full access to all free* content on the site - more than 9,000 article
  • Regular newsletters brining you the latest news, views and videos
  • Special offers from The Strad and The Strad shop

REGISTER

*Some content is available exclusively to subscribers

2021 MPU - The Strad v3