Opinion: Practising scales in sequential order

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While most string players agree that scales and arpeggios are the basic building blocks for good technique, cellist Robert Jesselson says that it’s essential to practise them sequentially to gain the maximum benefit

A few years ago I heard an audition by a cellist who had been a long-time student of the principal cellist of a major orchestra. I was excited, thinking this student would be playing at a high level, having studied with such a wonderful performing musician. Unfortunately his playing was a disaster. He played the first movement of the Haydn C major Concerto. When I asked him what technique he had studied, what etudes he had worked on, and what scale systems he used, he answered that he had only studied repertoire…

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