Reviews

  • Concert review: Chamber Music Society of Lincoln Center

  • Live-streamed concert review: Nicola Benedetti (violin) Lawrence Power (viola) Oxford Philharmonic Orchestra

  • Live-streamed concert review: Tesla Quartet: A Bartók Journey

  • Live-streamed concert review: Tabea Zimmermann (viola) Christoph Sietzen (percussion) Ensemble Resonanz/Emilio Pomàrico

  • Book review: Feine und bedeutende Streichinstrumente

  • Book review: Notes for Violists: A Guide to the Repertoire

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Current online issue

 

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September

‘Suzuki kids grow up in an environment where everybody's supported and where difficult skills are broken down into something more achievable’
How the Suzuki teaching method has become an unparalleled success around the globe since its founding in 1945.

‘I ask students to relinquish their dependence on vibrato and focus on the expressive potential of the bow’
Why conservatoires should embrace Historically Informed Performance.

Cellist Christian-Pierre La Marca on how is latest recording project is designed to highlight the environmental challenges facing humanity

'The idea of applying a neural network to musical acoustics seemed quite far-fetched' The science of violin acoustics has encompassed 3D scanning, CNC technology and good old-fashioned tap tones - so why not AI software

'Shafran could replace a good number of shifts with a stretch, moving around the fingerboard in an almost violinistic manner'. Russian cellist Daniil Shafran was one of the 20th century's most distinctive musicians

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