All Review articles
-
ReviewThe Strad Recommends: Roman Simovic: Bartók, Rózsa
The LSO’s long-time leader dazzles in the spotlight
-
ReviewThe Strad Recommends: Alisa Weilerstein: Brahms
A long-standing partnership reaps rich rewards
-
ReviewThe Strad Recommends: Rachel Barton Pine: Corelli
A chameleonic violinist inspires in the Italian Baroque
-
ReviewConcert review: La Serenissima, Adrian Chandler (violin)
Tim Homfray visits London’s Wigmore Hall on 18 November 2024 for the performance of Brescianello, Gregori, Gnocchi, Vivaldi, Valentini, Facco and Durante
-
ReviewConcert review: Manchester Collective, Abel Selaocoe (cello, vocals)
Charlotte Gardner hears a mash-up between East and West African, Baroque, jazz and modern music, composed and improvisedat London’s Queen Elizabeth Hall on 14 November 2024
-
ReviewConcert review: Gil Shaham (violin)
Tim Homfray attends the solo performance of Bach, Scott Wheeler, Max Raimi and Reena Esmail at London’s Wigmore Hall 13 November 2024
-
ReviewConcert review: Yo-Yo Ma (cello) Kathryn Stott (piano)
Janet Banks listens to the veteran duo’s performance of Fauré, Assad, Nadia Boulanger, Shostakovich, Pärt and Franck at London’s Barbican Hall on 2 November 2024
-
ReviewConcert review: Gautier Capuçon (cello) Philadelphia Orchestra/Stéphane Denève
Bruce Hodges hears the performance of Guillaume Connesson, Saint-Saëns, Augusta Holmès and Berlioz at Philadelphia’s Marian Anderson Hall on 22 November 2024
-
ReviewConcert review: Belcea Quartet, Ébène Quartet
Bruce Hodges listens to the two quartets perform Mendelssohn, Enescu and Fauré at Philadelphia’s Perelman Theater on 10 November 2024
-
ReviewConcert review: Stephanie Zyzak (violin) Beth Guterman Chu (viola) Oliver Herbert (cello) Mitsuko Uchida (piano)
Bruce Hodges visits Philadelphia’s Perelman Theater on 8 November 2024 for the performance of Kurtág, Beethoven and Schumann
-
ReviewBook review: Lessons in Gratitude: A Memoir on Race, The Arts and Mental Health
Lauren Wesley-Smith reviews the memoir of Sphinx Organization founder Aaron P. Dworkin
-
ReviewBook review: Mexican Folk Fiddle Tunes
David Lasserson reviews the latest in Schott Music’s series on world music styles, compiled by Julia Chardavoine, Diego Brossollet Hernández and César Iván Juárez-Joyner
-
ReviewBook review: Make Great Music with Ease! The Secret to Smarter Practice, Confident Performance, and Living a Happier Life
Mathew Lee reviews Jennifer Roig-Francolí’s book based on her ‘Art of Freedom Method’, with a healthy dose of Alexander technique
-
ReviewMischa Elman: Bach, Beethoven, Tchaikovsky, Vivaldi
A journey down memory lane in the company of a great violinist
-
-
-
-
ReviewLionel Martin: Kabalevsky, Shostakovich, Tchaikovsky
A Mutter protégé impresses in a wide-ranging Russian programme
-
ReviewConcert review: Belcea Quartet, Tabea Zimmermann (viola)
Tim Homfray visits London’s Wigmore Hall on 18 October 2024 for the performance of Mozart’s C minor String Quintet K406
-
ReviewConcert review: Isabelle Faust (violin) London Symphony Orchestra/Thomas Adès
Peter Quantrill reviews the performance of Ondřej Adámek at London’s Barbican Hall on 31 October 2024
