About us

Published in May 1890, the first issue of The Strad featured Joseph Joachim, the violinist to whom Brahms dedicated his Concerto. Since then, players such as Mstislav Rostropovich, Anne-Sophie Mutter, Mischa Maisky and many more besides have brought their insight and expertise to the pages of the magazine. The Strad is an indispensible guide for string players, teachers and instrument makers alike, featuring expert advice and practical guidance each month from celebrated luthiers working with traditional techniques and the latest technological advances. Authoritative, trusted and influential, The Strad is available in print and digital editions.

Editorial team

Emma Baker, editor

Emma studied music at Nottingham University and has an MMus in performance from the RSAMD (now the Royal Conservatoire of Scotland). She has written and edited for Gramophone, Songlines and BBC Music Magazine among many other publications, and was previously editor of the Royal Opera House Magazine. Her non-musical hobbies include running, and painting and drawing.

Christian Lloyd, managing editor

Christian is the former editor of both International Arts Manager magazine and the Performing Arts Yearbooks. He takes care of the In Focus, Trade Secrets, My Space, Making Matters and Sentimental Work sections of The Strad, as well as all feature articles relating to instruments and lutherie, the book reviews and the news pages.

Davina Shum, online editor

New Zealand-born cellist Davina Shum has enjoyed a freelance performing and teaching career since moving to the UK to join the Southbank Sinfonia in 2013. With a particular interest in broadcasting, Davina has contributed to the BBC Radio 3 podcast Time Travellers as well as running her own podcast As It Comes: Life from a musician’s point of view. Away from the cello and The Strad, Davina enjoys bouldering, vegetable gardening and retro video games.

Marija Duric-Speare, sub editor

Apart from bringing her knowledge as a cellist to The Strad, Marija has long had a passion for music history, having written an original thesis on the elder Cervetto for her first degree and gained an MMus in historical musicology at King's College London. She works for other music publications too (RMA journal; Gramophone), and enjoys swimming, walking, watching films and reading fiction.

Pauline Harding, contributing editor

Pauline started playing the violin when she was four years old and studied music at the York University. She decided she wanted to be a writer when she was six, and so The Strad has been the perfect place for her to combine her passions. Outside the office, she is working for a doctorate in African archaeology at University College London.

Rita Fernandes, editorial assistant

Rita is an Australian-Swiss King’s College London and Conservatoire of Lausanne music graduate. Other than writing, she plays violin and conducts, with a particular interest in contemporary classical music. Outside of music, she enjoys attending stand-up comedy shows and exploring the bottomless pit that is Netflix documentaries.

Advertising

Mariette King, advertising manager

Mariette was born in France and brought up in Lebanon, Australia and the UK. Her career in advertising mirrors her international background and has encompassed broadcast, print and digital. She wanted to work at The Strad since it combined music, fine literature and the opportunity to meet and share her knowledge of advertising with such talented people. In her spare time she enjoys baking and aromatherapy.

Jeremy Fordrey, senior account manager

Jeremy is The Strad’s senior account manager with media experience across a wide and diverse range of markets. He studied and gained a Diploma of Management Studies at Kingston University and is a keen amateur musician playing guitar and electric bass. Through working with The Strad he has discovered the joys and wonders of live and recorded classical music.

Angela Lyons, art editor

Angela Lyons is The Strad's art editor. She studied at Central Saint Martins and has over 20 years' experience as a graphic designer. Working with The Strad team she has discovered lots of new music and outside work enjoys looking at art and keeping fit.

Philip Ihle, lutherie consultant

Tully Potter, historical consultant

Latest Magazine

Inside October's magazine

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Dutch double bassist Rick Stotijn speaks to Kimon Daltas about his quest for original repertoire for his instrument, and his new album.

Alex Kanzian examines the distinguishing features of the Viennese Double Bass in the 18th and 19th centuries.

Aaron McGregor gives a potted history of Scottish Fiddle Dance Music.

Violinist Rachel Barton Pine shares with Harry White her project to record Florence Price’s Violin Concerto no.2 in this month's Session Report.

Some of today’s leading soloists tell Charlotte Gardner how musicians can develop their own sound to stand out at a time when so much playing seems to sound the same.

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