Pablo casals

Cellist Pablo Casals on expressive intonation

2022-09-16T07:00:00+01:00

The great artist believed that 50 per cent of a player's total dramatic power lay in exaggerated intonation, writes former pupil Pamela Hind O'Malley

Rick Stotijn_2_Green Room_Edu Calicher

‘He is a similar weirdo, in the good sense!’ - Rick Stotijn: Stepping into the spotlight

2022-09-15T08:17:00+01:00

Double bassist Rick Stotijn is a musical pioneer, playing in every style and context from solo, chamber and orchestral music to rock and metal.

BeginnerVn

Ask the Experts: how to help a beginner pupil with intonation issues

2022-09-14T11:15:00+01:00

Strad readers submit their problems and queries about string playing, teaching or making to our experts

Supple

From the Archive: the difficulties of playing in tune

2022-09-13T15:45:00+01:00

The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue

Kramarov in performance - headshot

’Your performance should radiate the colour of real fresh grass. Go to nature and look’ - Yuri Kramarov: A legacy regained

2022-09-13T08:42:00+01:00

Russian violist and pedagogue Yuri Kramarov was one of the most important Soviet-era musicians. Misha Galaganov explores his life, career and teaching methods

Inside September's magazine

1_Front Cover 580x800

Veteran violinist and violist Pinchas Zukermantells Pauline Harding his views on everything from his new masterclass series to the role of technology in string playing.

Peter Somerford talks to tutors from International Lutherie Schools to find out the options for young violin makers looking to improve their skills.

The Strad looks back on 50 years of the Newark School of Violin Making.

Teachers in the largest, most remote, Australian state face unique challenges. Rita Fernandes finds out why bringing strings to regional Western Australia is worth it.

Katie Stillman and Carmen Flores of the Villiers Quartettalk to Harry White about their latest recording of works by Frederick Delius and Ethel Smyth

READ THE MAGAZINE ONLINE

Pablo casals

Cellist Pablo Casals on expressive intonation

2022-09-16T07:00:00+01:00

The great artist believed that 50 per cent of a player's total dramatic power lay in exaggerated intonation, writes former pupil Pamela Hind O'Malley

Rick Stotijn_2_Green Room_Edu Calicher

‘He is a similar weirdo, in the good sense!’ - Rick Stotijn: Stepping into the spotlight

2022-09-15T08:17:00+01:00

Double bassist Rick Stotijn is a musical pioneer, playing in every style and context from solo, chamber and orchestral music to rock and metal.

Inside September's magazine

1_Front Cover 580x800

Veteran violinist and violist Pinchas Zukermantells Pauline Harding his views on everything from his new masterclass series to the role of technology in string playing.

Peter Somerford talks to tutors from International Lutherie Schools to find out the options for young violin makers looking to improve their skills.

The Strad looks back on 50 years of the Newark School of Violin Making.

Teachers in the largest, most remote, Australian state face unique challenges. Rita Fernandes finds out why bringing strings to regional Western Australia is worth it.

Katie Stillman and Carmen Flores of the Villiers Quartettalk to Harry White about their latest recording of works by Frederick Delius and Ethel Smyth

READ THE MAGAZINE ONLINE

Fig 6. Niel & Donald Gow

Scottish fiddle dance music: Invitation to the dance

The influence of fiddle dance music that emerged in 18th century Scotland still echoes through the reels and strathspeys of today.

Karijini National Park - pc getty

String education in regional Western Australia: Sitting on a gold mine

In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential

Amati_VA_1677_belly

A Massive Achievement: the ‘Romanov’ Nicolò Amati viola

Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces. Alberto Giordano and Rudolf Hopfner investigate its turbulent history and examine how it fits into the Amati family’s oeuvre

salted

Long read: Salted Soundboards and Sweet Sounds

‘Salt improves the voice of all sorts of instruments,’ wrote scholar Bernard Palissy in 1580, and analysis of several samples of wood has shown that ancient masters did treat wood with substances which were then defined as salts. In our June 1991 issue, Rémy Gug investigated the subject of salt-impregnation ...

Enraged_musician Hogarth

Pietro Castrucci: Resurrecting a Baroque maverick

When Gerald Elias unearthed music by the little-known London-based 18th‑century composer and virtuoso violinist Pietro Castrucci, he discovered a unique and independent musical voice

Headshot door pc Matthew Johnson

Technique: Developing powerful base knuckles

Stephen Upshaw on developing powerful base knuckles in both hands for tension-free playing

IMG_8609_Mlungisi Mlungwana

Masterclass: Debussy Cello Sonata

Abel Selaocoe delves deep into the first movement of Debussy’s only sonata for cello

20150212_kopatchinsaja_ credit Eric Melzer

Finding your own sound: Standing out from the crowd

In a world that seems to value homogeneous perfection, how do you develop an individual voice on your instrument?

Masterclass: Hummel Sonata op.5 no.3 for Piano and Viola

Violist Tabea Zimmermann offers her advice on how to practise this playful, virtuosic work

Technique: Teaching collé

Marcos Santos, teacher at the University of São Paulo, Brazil, on how to work on this short, articulated bow stroke to improve students’ overall bow control and sound

Fig 6. Niel & Donald Gow

Scottish fiddle dance music: Invitation to the dance

The influence of fiddle dance music that emerged in 18th century Scotland still echoes through the reels and strathspeys of today.

Karijini National Park - pc getty

String education in regional Western Australia: Sitting on a gold mine

In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential

Amati_VA_1677_belly

A Massive Achievement: the ‘Romanov’ Nicolò Amati viola

Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces. Alberto Giordano and Rudolf Hopfner investigate its turbulent history and examine how it fits into the Amati family’s oeuvre

salted

Long read: Salted Soundboards and Sweet Sounds

‘Salt improves the voice of all sorts of instruments,’ wrote scholar Bernard Palissy in 1580, and analysis of several samples of wood has shown that ancient masters did treat wood with substances which were then defined as salts. In our June 1991 issue, Rémy Gug investigated the subject of salt-impregnation ...

Enraged_musician Hogarth

Pietro Castrucci: Resurrecting a Baroque maverick

When Gerald Elias unearthed music by the little-known London-based 18th‑century composer and virtuoso violinist Pietro Castrucci, he discovered a unique and independent musical voice

Chan Man Park 2

Violin making in Seoul: Gangnam style

Over the past decade, a wide community of violin and bow makers has grown up in the Seocho district of Seoul. Luthier Hagit Gili Gluska speaks to colleagues young and old, both local and from overseas, who have made this area their home

Lutherie

Great Instruments

backs

The Viennese double bass: The long pattern

In the 18th and 19th centuries, double basses made in Vienna had distinctive shapes and characteristics that gave them tremendous sound quality.

Reviews

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Feel like you’ve missed an issue? Read a full copy of one of our magazines below: