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EXPLORE PREMIUM THIS WEEK
Frank Peter Zimmermann: ‘Music that possesses you’
Frank Peter Zimmermann is one of the first German musicians to record Elgar’s emotionally charged Violin Concerto, in a new release with the London Philharmonic Orchestra. He speaks with Thomas Eisner, a first violinist with the LPO, about bringing the work to life
Inveterate innovator: Louis Noebe
Despite success in his own time, and a penchant for experimentation, German maker Louis Noebe is an almost forgotten figure in lutherie history. Clifford Hall examines his life and achievements
Masterclass: Bruch Violin Concerto no.1, second movement
Bella Hristova outlines the importance of pacing oneself and creating a hierarchy of intensity in this popular slow movement
US school repair shops: close to home
In US public school music programmes, broken instruments can harm students’ learning and create stress for teachers. Rita Fernandes discovers the schools that are tackling the problem head on by offering free repairs via in-house repair shops
My Space: Nurgül Çomak’s Istanbul workshop
The Turkish maker presents her workshop in the cosmopolitan city
Frank Peter Zimmermann: ‘Music that possesses you’
Frank Peter Zimmermann is one of the first German musicians to record Elgar’s emotionally charged Violin Concerto, in a new release with the London Philharmonic Orchestra. He speaks with Thomas Eisner, a first violinist with the LPO, about bringing the work to life
Inveterate innovator: Louis Noebe
Despite success in his own time, and a penchant for experimentation, German maker Louis Noebe is an almost forgotten figure in lutherie history. Clifford Hall examines his life and achievements
Featured People
Stella Chen: a bright future
The American violinist chats with Rebecca Franks about her philosophy of playing and teaching, studying at Harvard, her experience of winning the Queen Elisabeth Competition and her new album, which marks a fresh chapter in her career
The greatest storyteller: Itzhak Perlman at 80
As he turns 80, the legendary violinist Itzhak Perlman speaks to Ariane Todes about everything from his stellar career to his teaching ethos, and his approach to social media stardom
Alisa Weilerstein: fragments of the future
The US cellist Alisa Weilerstein talks to Peter Quantrill about reinventing the solo recital for a multimedia age, and working with living composers to renew the concerto repertoire
Stella Chen: a bright future
The American violinist chats with Rebecca Franks about her philosophy of playing and teaching, studying at Harvard, her experience of winning the Queen Elisabeth Competition and her new album, which marks a fresh chapter in her career
The greatest storyteller: Itzhak Perlman at 80
As he turns 80, the legendary violinist Itzhak Perlman speaks to Ariane Todes about everything from his stellar career to his teaching ethos, and his approach to social media stardom
Alisa Weilerstein: fragments of the future
The US cellist Alisa Weilerstein talks to Peter Quantrill about reinventing the solo recital for a multimedia age, and working with living composers to renew the concerto repertoire
Learn From The Experts
Learn From The Experts
Masterclass: Beethoven String Quartet no.11 op.95 ‘Serioso’, first movement
This whirlwind movement represents a turbulent time in the composer’s life, evident in the work’s relentless momentum and extreme characters, says Ariel Quartet cellist Amit Even-Tov
Long Reads
From sword to bow: Marczi Zöldy
The young Hungarian soldier who became known as virtuoso violinist Marczi Zöldy at the turn of the 20th century was skilled in many areas, not least as a musician and a fencer. Grzegorz Kaproń tells his eventful, colourful life story
Amaryllis Fleming: A life less ordinary
To mark a hundred years since the birth of Amaryllis Fleming in December 1925, Oskar Falta takes a look at the British cellist’s colourful life and influential career, and hears from one of her pupils – Raphael Wallfisch
Sofia Gubaidulina: a musical offering
Gavin Dixon examines the spiritual, visionary string works of the Russian–Tatar composer Sofia Gubaidulina, who died earlier this year
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
Lutherie
From sword to bow: Marczi Zöldy
The young Hungarian soldier who became known as virtuoso violinist Marczi Zöldy at the turn of the 20th century was skilled in many areas, not least as a musician and a fencer. Grzegorz Kaproń tells his eventful, colourful life story
Masterclass: Beethoven String Quartet no.11 op.95 ‘Serioso’, first movement
This whirlwind movement represents a turbulent time in the composer’s life, evident in the work’s relentless momentum and extreme characters, says Ariel Quartet cellist Amit Even-Tov
Masterclass: Hoffmeister Viola Concerto in D major, first movement
Knowledge of the Classical style, technical proficiency and musical creativity are keys to making this movement successful beyond audition preparation, says violist Louise Lansdown
Masterclass: Beethoven Violin Sonata no.10, op.96, first movement
Simplicity is the challenge in this peaceful, pastoral movement, creating an image of Beethoven at one with nature, says violinist Lena Neudauer
Technique: Double bass spiccato
Gaelen McCormick offers tips on teaching the technique on double bass
Masterclass: Brahms Violin Concerto, second movement
The feeling of rhetoric and a stream of consciousness must be represented when approaching this movement, says violinist Liza Ferschtman
Long Reads
From sword to bow: Marczi Zöldy
The young Hungarian soldier who became known as virtuoso violinist Marczi Zöldy at the turn of the 20th century was skilled in many areas, not least as a musician and a fencer. Grzegorz Kaproń tells his eventful, colourful life story
Amaryllis Fleming: A life less ordinary
To mark a hundred years since the birth of Amaryllis Fleming in December 1925, Oskar Falta takes a look at the British cellist’s colourful life and influential career, and hears from one of her pupils – Raphael Wallfisch
Sofia Gubaidulina: a musical offering
Gavin Dixon examines the spiritual, visionary string works of the Russian–Tatar composer Sofia Gubaidulina, who died earlier this year
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
All-female string quartets after the First World War
In the second and final part of his survey, Tully Potter reveals the extent of the explosion of all-female quartets that occurred after the First World War in the UK, Europe, the US and the Soviet Union, as well as notable mixed ones
Lutherie
Violin maker Otto Schünemann: A Romantic visionary
Although Otto Schünemann’s violins were praised by everyone from Vuillaume to Sarasate, his name is barely recognised today. Clifford Hall tells the story of this idealistic luthier who strove to bring the glories of the Cremonese masters to 19th-century Germany
In Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
The Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
Zosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
Great Instruments
The Strad Calendar 2026: Treasures of Canada
The Strad Calendar for 2026 shines the spotlight on twelve instruments owned by Canimex, one of Canada’s leading supporters of the arts. Christian Lloyd surveys the riches
The Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
The Fulton collection: Magnificent obsession
For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd
Great Instruments
The Strad Calendar 2026: Treasures of Canada
The Strad Calendar for 2026 shines the spotlight on twelve instruments owned by Canimex, one of Canada’s leading supporters of the arts. Christian Lloyd surveys the riches
Reviews
Reviews
Concert review: Augustin Hadelich (violin) Philadelphia Orchestra/Dalia Stasevska
Bruce Hodges hears the performance of Barber, Adams and Mahler at Philadelphia’s Marian Anderson Hall on 10 January 2026
Concert review: Yo-Yo Ma (cello) Philadelphia Orchestra/Dalia Stasevska
Bruce Hodges visits Philadelphia’s Marian Anderson Hall on 14 January 2026 for the performance of Dvořák, Skoryk, Akimenko and Mendelssohn
Concert review: Laura Samuel Memorial Concert
Hattie Butterworth attends the tribute to the respected violinist at London’s Wigmore Hall on 4 January 2026, featuring works by Haydn, Brahms, Mendelssohn and David Raksin
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