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EXPLORE PREMIUM THIS WEEK
Trade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
Sentimental Work: Raphaël Merlin on Charles Mingus’s Goodbye Pork Pie Hat
The Charles Mingus jazz standard Goodbye Pork Pie Hat has become the cellist’s own farewell to the Ébène Quartet after more than two decades performing together
Technique: Rick Stotijn on double bass pizzicato
The Dutch bassist offers tips on exploring the world of pizzicato on double bass
My Space: Olivier Calmeille’s Montpellier workshop
Examine the Atelier Scordatura in the south of France
Making Matters: Optimising sound spaces for good acoustics
Any luthier’s workshop requires a room or area with good acoustics to assess an instrument’s sound quality. Gideon Baumblatt and Simon Eberl explain how they optimised their sound spaces
Trade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
Sentimental Work: Raphaël Merlin on Charles Mingus’s Goodbye Pork Pie Hat
The Charles Mingus jazz standard Goodbye Pork Pie Hat has become the cellist’s own farewell to the Ébène Quartet after more than two decades performing together
Featured People
‘Get to the core of why you want to share music’ - Daniel Müller-Schott’s life lessons
The German cellist reminisces on his soloistic journey and finding purpose
Violinist Ray Chen: Making the connection
Global violinist Ray Chen’s mission is to connect people through music. He speaks to Amanda Holloway about his work both on and off the concert platform – through his Tonic practice app, his social media presence and his new album
Sentimental Work: Simone Lamsma on Britten’s Violin Concerto
The Dutch violinist feels a rapport with the sound world of Britten’s Violin Concerto, a piece that’s accompanied her since her success in the eponymous competition
‘Get to the core of why you want to share music’ - Daniel Müller-Schott’s life lessons
The German cellist reminisces on his soloistic journey and finding purpose
Violinist Ray Chen: Making the connection
Global violinist Ray Chen’s mission is to connect people through music. He speaks to Amanda Holloway about his work both on and off the concert platform – through his Tonic practice app, his social media presence and his new album
Sentimental Work: Simone Lamsma on Britten’s Violin Concerto
The Dutch violinist feels a rapport with the sound world of Britten’s Violin Concerto, a piece that’s accompanied her since her success in the eponymous competition
Learn From The Experts
Learn From The Experts
Technique: Rick Stotijn on double bass pizzicato
The Dutch bassist offers tips on exploring the world of pizzicato on double bass
Long Reads
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
All-female string quartets after the First World War
In the second and final part of his survey, Tully Potter reveals the extent of the explosion of all-female quartets that occurred after the First World War in the UK, Europe, the US and the Soviet Union, as well as notable mixed ones
German bow makers in America: Across the Atlantic
Many, if not most, of the earliest bow makers working in America originally hailed from Germany. Raphael Gold discovers how they helped lay the foundations for the industry
Sphinx Organization: Change for good
For the past quarter-century the Sphinx Organization has worked tirelessly to bring much-needed diversity to the US classical music scene. Bruce Hodges examines its achievements, and hears from its founder and its president about the future
Lutherie
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Technique: Rick Stotijn on double bass pizzicato
The Dutch bassist offers tips on exploring the world of pizzicato on double bass
Masterclass: Mendelssohn String Quartet in F minor, first movement
Second violinist of the Aris Quartet Noémi Zipperling examines Mendelssohn’s emotionally charged movement, considered to be a requiem for his sister and, ultimately, himself
Masterclass: Debussy Cello Sonata, second and third movements
Cellist Thomas Demenga reflects on the importance of restraint next to the extremes of expressive detail to be brought out in this masterpiece
Masterclass: Antonio Meneses on Franck Violin Sonata (Cello Version)
Preserving energy, planning ahead and prioritising phrasing in every line are key to cellist Antonio Meneses’s interpretation of the fourth movement
‘Savour every moment’ - violinist Sarah Chang’s life lessons
The US violinist reflects on the lessons learnt from her unique upbringing
Long Reads
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
All-female string quartets after the First World War
In the second and final part of his survey, Tully Potter reveals the extent of the explosion of all-female quartets that occurred after the First World War in the UK, Europe, the US and the Soviet Union, as well as notable mixed ones
German bow makers in America: Across the Atlantic
Many, if not most, of the earliest bow makers working in America originally hailed from Germany. Raphael Gold discovers how they helped lay the foundations for the industry
Sphinx Organization: Change for good
For the past quarter-century the Sphinx Organization has worked tirelessly to bring much-needed diversity to the US classical music scene. Bruce Hodges examines its achievements, and hears from its founder and its president about the future
'When someone is healthy inside, it sounds that way' - Mental health services in conservatoires
Rita Fernandes hears from administrators, counsellors and teachers from music schools about what defines a successful conservatoire mental health support system
Lutherie
Violin maker Otto Schünemann: A Romantic visionary
Although Otto Schünemann’s violins were praised by everyone from Vuillaume to Sarasate, his name is barely recognised today. Clifford Hall tells the story of this idealistic luthier who strove to bring the glories of the Cremonese masters to 19th-century Germany
In Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
The Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
Zosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
Great Instruments
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
The Fulton collection: Magnificent obsession
For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd
The Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
From the archive: a 1618 Henry Jaye viol
The work of British violin maker Henry Jaye is testament to the unsung tradition of viol making in 17th-century London. John Dilworth examines a strikingly varnished Jaye instrument from 1618
Great Instruments
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
Reviews
Reviews
Zoltán Székely: Bartók, Glazunov
A revered Hungarian violinist celebrated as soloist and chamber musician
Guy Braunstein: Braunstein, Delius, Vaughan Williams
Two works by English masters rub shoulders with the Beatles
Haoli Lin: Clement
World premiere of Beethoven dedicatee Franz Clement’s solo violin works
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