Joshua Bell with ASMF by Erik Kabik4_28_12_joshua_bell_smith_center_kabik-785-27

Masterclass: Joshua Bell on Bruch Violin Concerto no.1, third movement


The American violinist discusses gypsy style, charisma, flair and contrast in the lively third movement of this much-loved work


Masterclass: Beethoven Grosse Fuge op.133 (part two)


In the second of two articles, Belcea Quartet violist Krzysztof Chorzelski paints a vivid picture of the dissolution and resolution in the second half of this great work


Masterclass: violist Emilie Hörnlund on Beethoven String Quartet op.59 no.1


Swedish violist Emilie Hörnlund, of the Chiaroscuro Quartet, discusses how to achieve optimal articulation, balance and flow in the first movement of the first ‘Rasumovsky’ Quartet

Boyarsky cr Andrej Uspenski

Masterclass: Bruch Romance for Viola and Orchestra op.85


Violist and composer Konstantin Boyarsky considers nerves, narrative and the influence of the opera in his discussion of this late Romantic piece


Masterclass: The Takács Quartet performs Brahms’s String Quartet no.3


Violist Richard O’Neill gives his thoughts on performing the work in the November 2021 issue


Masterclass: Richard O’Neill on Brahms’ String Quartet no.3 op.67


The Takács Quartet violist looks at the first and third movements of this well-loved B flat major work, where his instrument is thrown into a rare spotlight


Masterclass: Johannes Moser on Brahms Cello Sonata no.1 op.38


Cellist Johannes Moser takes a look at structure, character and speed, and explains why it is so important to honour the composer’s bowings, in the first and second movements of the E minor Sonata. From December 2017

queyras by francois sechet

Masterclass: Bach Cello Suite no.5, Prélude, by Jean-Guihen Queyras


Practical tips to help you master the challenges of this most fundamental of repertoire


Masterclass: Schumann’s Adagio and Allegro op.70


Cellist Wolfgang Emanuel Schmidt discusses how to produce a true legato and varied tone colours appropriate to this tempestuous work. From February 2016


Masterclass: A lesson in performing short pieces by Wolfgang Emanuel Schmidt


The cellist gives advice on how to present Fauré’s Élégie, Elgar’s Salut d’amour, and Saint-Saëns’s ‘The Swan’ with colour, contrast and expression


Masterclass: Dittersdorf Double Bass Concerto, K172


Berlin Philharmonic bassist Edicson Ruiz advocates Viennese tuning and a period bow to bring out the best in this sonorous Classical work


The Strad Masterclass: Leon Bosch on Dragonetti's 'Famous Solo' for double bass


To say that repeated material always has to be played differently to make it interesting is a flawed interpretation of how we work as human beings' - double bassist Leon Bosch speaks about performing 'The Famous Solo' by Dragonetti to The Strad.


Left-hand pivots and the crab fingering system with bassist François Rabbath


The French soloist and teacher advises on how to improve intonation and dexterity on the double bass. From the October 2015 issue