The nonprofit organisation, originally founded to support concerts and programming of the quartet and handle finances, last week informed the quartet their positions as salaried musicians had been eliminated
‘When we're on stage we would die for our music’
The Pavel Haas Quartet gives a lively account of their first two decades together, and their upcoming Brahms recording, in conversation with Tom Stewart.
‘The first time I performed on stage, I hit a chord fortissimo and an embarrassingly large plume of rosin was lit up by the stage lights’
Celliest Billy Tobenkin’s passion for cello playing began at the ripe old age of 25. The late starter discusses the pitfalls and triumphs of his learning experience.
‘Of all the instruments I've owned, the "Baron Knoop" is the most happy-sounding’
Christian Lloyd talks to American collector David Fulton about his legendary array of old Italian instruments, including some of the finest Stradivaris in existence.
‘We are certainly looking to play the Gregson quartets again, having put so much work into them’
The four members of the Navarra Quartet talk to Tim Homfray about their latest recording of works by veteran British composer Edward Gregson.
‘We are very passionate people. We are confident, but without ever feeling entitled’
Jacqueline Vanasse reports on String Playing in Serbia where the approach to teaching and playing has a distinct ethos where individuality goes hand in hand with mutual respect.
In recent years, examining instruments under different kinds of light has become standard practice. Leonhard Rank shows what secrets can be revealed using fluorescence
Cotik celebrates the release of his new recording of Telemann’s 12 Fantasias for Solo Violin, out today, with this historically informed video performance
To enhance a pupil’s learning, it is useful to build a list of words and catchphrases that conjure images relating to different techniques. Jeffrey Howard introduces his own ‘violin vocabulary’
Covid-19 has highlighted the economic inequalities that divide musicians who perform on period instruments from the majority of today’s string players, says Andrew Mellor
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