Reviews – Page 80
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ReviewSergey Malov: Bach
The Bach Suites performed on the ‘shoulder cello’ prove more than just a curiosity
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ReviewConcert review: Bang on a Can Marathon 2020
Bruce Hodges reviews the online extravaganza held at various locations on 14 June 2020
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ReviewConcert review: Wigmore Hall, 8-24 June 2020
Tim Homfray reviews performances held at the London venue for an online-only audience
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ReviewBook review: Piano Trios on Stage: Violin/Flute, Cello and Piano
Anne Inglis reviews a publication by David Brooker designed to interest young players in piano trios
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ReviewBook review: The Sound of Life’s Unspeakable Beauty
Julian Haylock reviews Martin Schleske’s book relating the art of violin making to a profound belief in God
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ReviewBook review: The German Bow: A study exhibit of German bow making
Bow maker Matt Wehling reviews the latest publication from the Violin Society of America
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ReviewYo-Yo Ma et al: Not Our First Goat Rodeo
Cellist and folk-music friends in a delightful, genre-bending second album
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ReviewLisa Batiashvili: City Lights
Lights, camera, action: a violinist’s evocative movie-musical travels
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ReviewArabella Steinbacher: Four Seasons
A popular seasonal pairing full of requisite energy and drama
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ReviewPeter Sheppard Skærved: Schubert
A light but not lightweight approach imbues this with a sense of wonder
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ReviewAviv Quartet, Amit Peled: Schubert
A light but not lightweight approach imbues this with a sense of wonder
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ReviewCamille Thomas: Voice of Hope
Expansive and expressive playing in a musical journey towards hope
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ReviewHee-Young Lim: Rachmaninoff, Prokofiev
A sensitive and poetic approach to Russian cello sonatas
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ReviewLawrence Power: MacMillan
Viola concerto is a 21st-century classic in the hands of a passionate advocate
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ReviewCamerata Tchaikovsky/Yuri Zhislin: Russian Colours
A revelatory viola arrangement of a saxophone concerto
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ReviewInbal Segev: Clyne, Elgar
Well-pitched and assertive playing in cello concertos both old and new
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ReviewAlisa Weilerstein: Bach
A standout, meditative and individual approach to the cellists’ cornerstone
