All Editors pick articles – Page 4
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FocusThe Dover Quartet on the idea of the ‘hypermetre’
The ensemble discusses a concept that is not often taught or discussed in musical circles
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FocusThe fear of making mistakes stops violinists from playing with resonance and character – Nicola Benedetti
The British violinist speaks to Peter Somerford about launching her mass education project for string players of all ages
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Article‘One thing I’m grateful for is the amount of practice I did growing up’ – TwoSet Violin
Violinists and YouTube comedy stars Brett Yang and Eddy Chen of TwoSet Violin speak to Kimon Daltas about competition in classical music and the importance of practice
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Article‘He taught me how to stand up for what I believed in’ - Midori remembers Isaac Stern
Midori shares her memories of her mentor Stern, in honour of the great violinist’s 100th anniversary
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ArticleCellist Alisa Weilerstein on working with conductors
The American musician discusses performing concertos with conductors and how she navigates interpretative disagreements
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ArticleTabea Zimmermann on playing Beethoven’s viola
The German violist speaks to Amanda Holloway about recording on the historic instrument in The Strad’s May 2020 issue
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FocusPablo Casals’s approach to vibrato
The legacy of Pablo Casals can be traced primarily to the methods of his colleague Diran Alexanian and favourite student Maurice Eisenberg. Oskar Falta explores the Catalonian cellist’s main vibrato theories, as communicated by these two associates
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FeatureHow knowledge of physics can improve your sound
Understanding the basic physics of string movement can help us produce a richer, more ringing tone, says professor of violin Wendy Case
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FeatureMatched quartets: a dream commission?
What does a string quartet look for when commissioning a matching set of instruments, and how do luthiers go about fulfilling such a project?
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FocusA method for viola-playing, according to Karen Tuttle
Violists, particularly in the US, regard Karen Tuttle as a pioneer of pedagogy. As this month marks the 100th anniversary of her birth, Carlos María Solare outlines some of her ideas on playing the viola
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FeatureHow to replace a quartet member, by the Ébène Quartet
In conversation with Charlotte Gardner, the French players discuss group chemistry and reveal how they have retained their sound with their newest member, violist Marie Chilemme
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ArticleAn almost perfect success story: the evolution of Vuillaume
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career remain shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
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ArticleOn the question of retirement: string players of all ages share their views
Is there a time when we should put our instruments away for good? Pauline Harding talks to musicians young and old about falling standards, failing physiques and a joy of playing music that, if we want it to, should carry us to our graves
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ArticleUrtext editions - friend or foe?
Are urtext editions the only legitimate way to access the composer’s musical intentions? Do edited editions inevitably distort the authentic creative voice?
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ArticleThe alchemy of the madder root
Madder root has been used since ancient times to create a deep red pigment – but the making process remains enigmatic
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FeatureSarah Chang on the limitations of the concerto circuit
The violinist tells Strad editor Charlotte Smith about her growing desire to take on passion projects
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DebateAre conservatoires preparing young string players for the music world?
Violinist and professor Rodney Friend argues that music colleges are admitting too many students in the first place
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FeatureAre masterclasses an essential part of a musician’s training?
Are they more likely to inspire or confuse? Teachers from around the world give their opinions
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Premium ❘ FeatureThe Russian violin school is largely misunderstood
Igor Bezrodnyi, violinist, teacher and conductor, interviewed for The Strad shortly before his death in 1998
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DebateInvestors should loan prized stringed instruments to top players
Rather than storing instruments in a vault, investors must allow them to be played, for the benefit of owner and musician alike, wrote Jonathan Moulds in 2014
