All Focus articles

  • Alma Moodie with Carl Flesch

    Who was Alma Moodie?


    Australian-born violinist Alma Moodie was a celebrated performer in her day – a protégée of Carl Flesch who collaborated with many leading composers. However, her contribution to the violin canon has been largely forgotten, writes Tatjana Goldberg

  • haendel20

    Violinist Ida Haendel on Brahms's Violin Concerto


    In a special tribute to Ida Haendel, we are republishing some archive content related to the late violinist. Here is she is, explaining why the Brahms concerto is such a demanding and an inspirational piece of music

  • Tasmin Little

    Harrogate International Festivals to put on virtual arts weekender


    The HIF Weekender runs from 23-26 July

  • Melbourne Digital Concert Hall

    What does it feel like to give an online chamber concert?


    Rachel Atkinson, cellist of the Fidelio Quartet, shares her experience of playing with her chamber ensemble in the recently-created Melbourne Digital Concert Hall

  • March 1937 cover crop

    Ida Haendel making her first appearance in The Strad in 1937


    In a special tribute to Ida Haendel, we are re-publishing content related to the late violinist. Here, in our March 1937 issue, our correspondent predicts great things for a 14-year-old violinist who may have actually only been 9 at the time

  • Adrian Bradbury ©️Richard Hughes (4)

    Opera is key to string playing


    The British cellist Adrian Bradbury explains why string players should be open to learning from the operatic tradition

  • Gwendolyn_Masin_2354_c_© Balazs Borocz _ Pilvax

    Journey to change – towards a better understanding of ourselves


    In the first of a four-part series, Gwendolyn Masin, concert violinist, author and educator, explains the importance of movement therapy for musicians

  • Patricia Kopatchinskaja

    Dominik Wagner and Patricia Kopatchinskaja on writing their own cadenzas


    Cadenza writing has enjoyed a renewed surge in popularity over recent years. In this article by Pauline Harding, two soloists - Dominik Wagner and Patricia Kopatchinskaja - talk about their individual approaches to writing cadenzas

  • Pike

    Jennifer Pike: Life Lessons


    Trust your gut, stick to your guns and enjoy what you’re doing, says the British violinist

  • Robert Lewin

    Remembering fine violin collector Robert Lewin


    Robert (Bob) Lewin wrote The Strad market report for 50 years and was an eminent British collector of String instruments and bows. His nephew, Michael Lewin, remembers his uncle, and how his legacy helps thousands of young musicians around the UK today

  • Low res. - 202A0674

    How to put on a live concert in the time of Covid-19


    Keith Stanfield, a violinist and former footballer, recently put on a live classical music performance - the first since the pandemic started in his home town of Kansas City. Here he shares his experience, as well as advice for putting on a live concert in compliance with social distancing regulations ...

  • 063 strad200804

    7 tips on adjustments to get the best out of your instrument


    The finest Stradivari in the world will sound poor if it is badly set up. Here are some points to consider sourced from our archive 

  • Sochi

    Forecasting the future: Postcard from Sochi


    The 13th Winter International Arts Festival in February presented no fewer than seven world premieres, a Beethoven sonata marathon and a double bass extravaganza, writes Peter Quantrill, who met artistic director Yuri Bashmet

  • Mendelssohn Chethams

    How to record chamber music in lockdown


    Graham Oppenheimer, Senior Chamber Music and Viola tutor at Chetham’s School of Music, gives a step-by-step guide to recording chamber music remotely

  • Haydn Sunrise Chetham's Side by side project

    Running an educational chamber music programme remotely


    Graham Oppenheimer, Senior Chamber Music and Viola Tutor at Chetham’s School of Music, explains how he managed to transfer the Manchester-based school’s chamber music programme online during the coronavirus lockdown

  • Amati

    A genuine Amati or a clever fake?


    Could the cello shown here be one of the eight ‘bass violins’ ordered by Catherine de’ Medici for the court of Charles IX of France? Luthier Filip Kuijken explores the known history of the instrument and considers whether it could be an original Andrea Amati – or a clever fake ...

  • Portrait photograph of mischa elman

    Slide rules: 10 thoughts on portamento


    Sinning or singing? The transition from one note to another on the same string without a break is a peculiarly sensitive topic, as seen in these clippings from The Strad archive

  • Luoghi_Rocca_Brancaleone_3-600x400

    5 festivals that hope to go ahead this summer (at least in part)


    Although many festivals have been forced to cancel this summer’s plans owing to the coronavirus pandemic, the following are still hoping to go ahead - at least in part - in accordance with social distancing rules

  • NathanMeltzer

    Nathan Meltzer: Life Lessons


    The up-and-coming US violinist on his early years in Austria and summertime chamber music by the sea

  • Sarasate

    Sarasate’s thoughts on New York


    During a two-year concert tour of America, violinist Pablo Sarasate corresponded with his adoptive mother Amélie de Lassabathie in Paris. His surviving letters have been translated for the first time into English by Nicholas Sackman and Bastien Terraz, who present a digest of their contents