All articles by Carlos Maria Solare – Page 3
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ReviewPhilip Dukes: Brahms, Schumann
An uncommonly strong partnership shines in core works for viola and piano
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ReviewJohanna Martzy & Michael Mann: Complete Deutsche Grammophon Recordings
Two short but stellar careers feature in a finely remastered reissue
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ReviewTatjana Masurenko: White Nights – Viola Music from Saint Petersburg
Final instalment of Russian viola music collection has been well worth the wait
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ReviewConcert review: Patricia Kopatchinskaja (violin) Berlin Philharmonic/Kirill Petrenko
Carlos Maria Solare attends the performance at the Berlin Philharmonie on 17 September 2021, kicking off the Moldovan violinist’s tenure as the orchestra’s artist-in-residence
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ReviewAugusta and Georgina McKay Lodge: Chamber Music from the Court of Frederick the Great
Exuberant playing of virtuoso works fit for a music-loving king
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ReviewTimothy Ridout: A Poet’s Love
Song transcriptions that delightfully channel the viola’s inner poet
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ReviewLive-streamed concert review: Tabea Zimmermann (viola) Christoph Sietzen (percussion) Ensemble Resonanz/Emilio Pomàrico
Carlos Maria Solare hears the performance where the violist received the 2021 Ernst von Siemens Music Prize, from the Prinzregententheater Munich on 15 June 2021
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ReviewBook review: Notes for Violists: A Guide to the Repertoire
Carlos Maria Solare reviews David M. Bynog’s latest book, the latest in the Notes for Performers series
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ReviewEmma Wernig: The Viennese Viola
Debut album of Viennese delights demonstrates poise and promise
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ReviewHaydn: Valencia Baryton Project
The baryton enjoys star billing in delightfully inventive Haydn
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ReviewMikhail Pochekin, Ivan Pochekin: Mozart
Refreshing and spontaneous approach by brothers on the same wavelength
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ReviewHiyoli Togawa: Songs of Solitude
Intriguing commissions on a contemplation of lockdown solitude
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ReviewNils Mönkemeyer: Vivaldi, Rolla, Tartini, Paganini, Sciarrino
Inventive viola arrangements the Red Priest would surely have enjoyed
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ReviewBook review: The Viola d’Amore: Its History and Development
Carlos Maria Solare examines Rachael Durkin’s scholarly work about the early stringed instrument
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ReviewEivind Ringstad: Correspondances
A beautifully constructed recital from a virtuoso viola player
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ReviewConcert review:Tabea Zimmermann, members of the Berlin Philharmonic
Carlos María Solare hears a performance at the Berlin Philharmonie on 23 September 2020
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