December

Johan Dalene talks about his latest album and we examine how Stradivari’s early violin patterns developed. There’s a look at creative health for musicians and anniversary tributes to Amaryllis Fleming and Simone Fernando Sacconi. Plus Sol Gabetta’s Sentimental Work.

December 2025 Cover

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From this month's magazine

A youthful spirit: violinist Johan Dalene

The young Swedish violin virtuoso Johan Dalene speaks to Jessica Duchen about his evolution as a musician, his passion for contemporary music and his latest album that pairs the Bruch and Mendelssohn concertos

Forms follow function: early Stradivari violin patterns

Unlike his contemporaries, Antonio Stradivari was trying out different violin patterns from the start of his career as a luthier. Philip Ihle examines a number of his early violins to discover how his art evolved

Postcard from Canada: Banff International String Quartet Competition

At the Banff International String Quartet Competition, Rita Fernandes heard some of today’s top young ensembles, each with its own personality

December 2025: Editor’s welcome and contents

The Strad’s editor Emma Baker introduces the December 2025 issue starring Swedish violinist Johan Dalene, who has released his sixth album at the age of only 25

Cover story

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A youthful spirit: violinist Johan Dalene

The young Swedish violin virtuoso Johan Dalene speaks to Jessica Duchen about his evolution as a musician, his passion for contemporary music and his latest album that pairs the Bruch and Mendelssohn concertos

Playing

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The mindful hands: creative health for musicians

Pedro de Alcantara considers a playful yet philosophical approach to boosting health for the curious musician, and suggests some novel arm, wrist, hand and finger exercises for string players

Lutherie

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A master of his craft: Simone Fernando Sacconi

Born 130 years ago, Simone Fernando Sacconi was a brilliant violin maker and restorer, a respected teacher and, latterly, a celebrated author. Friends, colleagues and former students share their memories with Peter Somerford

Technique

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Technique: artistry with the bow

British cellist Hannah Roberts explores the expressive possibilities of the right hand

Masterclass

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Masterclass: Brahms Cello Sonata no.1 in E minor op.38, third movement

This fugal final movement requires elements of restraint where climaxes must be managed carefully, says cellist Steffan Morris

Trade Secrets

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Trade Secrets: Cutting the f-holes

The traditional method adopted by the luthiers of the old Mirecourt school