Book reviews – Page 58
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ReviewConcert review: Tai Murray (violin) Melissa Reardon (viola) Raman Ramakrishnan (cello) Doug Balliett (double bass) Aaron Wunsch (piano)
Bruce Hodges travels to New York’s Advent Lutheran Church for the performance on 17 January 2022
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ReviewBook review: Jascha Heifetz in South Africa: Insights from 1932
Tully Potter reviews Michael Brittan’s picaresque account of the superstar violinist’s tour of South Africa
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ReviewBook review: Unconditional Teaching
Celia Cobb reviews the latest in Paul Harris’s illuminating series of books on music education
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ReviewBook review: An Auditioning Double Bassist’s Tool Kit
Cathy Elliott looks through Jon McCullough-Benner’s book featuring bowings, fingerings and useful tips for standard audition repertoire
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ReviewConcert review: Sean Lee (violin) Peter Dugan (piano)
Dennis Rooney attends Lincoln Center’s Rose Auditorium on 27 January 2022 for the performance
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ReviewJennifer Kloetzel: Beethoven the Conquering Hero
Plenty of gruff rhetoric and a fine, warm-toned period piano
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ReviewJohan Dalene: Nielsen, Sibelius
THE STRAD RECOMMENDS The Strad Issue: April 2022 Description: Two great Scandinavian violin concertos from a rising star Musicians: Johan Dalene (violin) Royal Stockholm Philharmonic Orchestra/John Storgårds Works: Nielsen: Violin Concerto op.33. Sibelius: Violin Concerto in D minor op.47 Catalogue number: BIS BIS-2620 (HYBRID SACD) ...
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ReviewEdgar Moreau: Transmission
Cellist brings subtle and shimmering beauty to Jewish-inspired programme
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ReviewCecilia Zilliacus: Brahms, Maier, Röntgen
Playing of rhetorical beauty where more persuasion and less force go a long way
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ReviewLaura van der Heijden: Pohádka: Tales from Prague to Budapest
Vivid playing and a rapport between duo partners in a delightful programme
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ReviewKatharina Kang Litton: Kornauth, Fuchs, Trad
Luxuriant sound world in this recital is like a warm embrace
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ReviewEusebius Quartet: Korngold
Wit and charm abound in authentically Viennese-sounding performances
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ReviewFenella Humphreys: Sibelius
Rare outing for small-scale pieces that perhaps hint at Sibelius’s ‘lost’ Eighth
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