All Review articles – Page 53
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ReviewPierluigi Mencattini: Piani
Problematic tuning and inauthentic instrumentation dog these sonatas
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ReviewCharlotte Saluste-Bridoux: Ostinata: Works for Solo Violin
An impressively assured recording debut from a violinist to watch
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ReviewRachel Podger: Beethoven
Spontaneity and intelligence as a Baroque giant explores new territory
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ReviewAlexandra Conunova, Rosanne Philippens: In a Dream
Rhapsody in abundance from a classy line-up of musicians
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ReviewDavid Nadien: Debussy, Fauré, Franck, Ravel, Schubert
Outstanding Debussy from this much-missed concertmaster
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ReviewDaniel Kurganov: Rhythm and the Borrowed Past
Powerful advocacy of hugely demanding violin music
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ReviewConcert review: Schumann Quartet
Charlotte Gardner listens to the performance of Mozart, Haydn and Henela Winkelman at London’s Wigmore Hall on 28 April 2022
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ReviewArcadia Quartet: Weinberg
A second volume of quartets makes a strong case for this Soviet master
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ReviewConcert review: Jean-Guihen Queyras (cello) Alexander Melnikov (piano)
Tim Homfray hears the performance of Debussy, Chopin, Webern and Rachmaninoff at London’s Wigmore Hall on 14 April 2022
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ReviewConcert review: Julia Fischer (violin) London Philharmonic Orchestra/Vladimir Jurowski
Tim Homfray hears the performance of Elgar and Enescu at London’s Royal Festival Hall on 13 April 2022
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ReviewKonstantin Manaev: Love Stories; The Songs of Our Neighbours
A review of two CDs: exuberant explorations of Eastern European and contemporary music
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ReviewConcert review: Antoine Tamestit (viola) Akademie für Alte Musik Berlin
Carlos María Solare hears a performance of Handel, Telemann and Bach at the Konzerthaus Berlin on 28 April 2022
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ReviewConcert review: Danish Quartet
Leah Hollingsworth hears an innovative programme of Charpentier, Adams, Blumenfeld, Schumann and Schubert at the Shriver Hall Concert Series, Baltimore, on 19 April 2022
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ReviewConcert review: Tetzlaff Quartet
Leah Hollingsworth hears a performance of Haydn, Berg and Webern at New York’s Zankel Hall, Carnegie Hall, on 27 April 2022
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