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The Strad April 2023 issue is out now!
Violinist Carolin Widmann features in a German-focused issue
The man of property: Who was Baron Johann Knoop?
Clifford Hall tells the story of the German collector Baron Johann Knoop
The 12 Cellists of the Berlin Philharmonic: Better by the dozen
Katinka Welz speaks to members of the ensemble about its history and popularity
The 12 Cellists of the Berlin Philharmonic: Better by the dozen
Katinka Welz speaks to members of the ensemble about its history and popularity
Session Report: The Tippett Quartet on recording Korngold’s string quartets
Members of the Tippett Quartet talk to Jessica Duchen about recording Korngold’s string quartets
‘Her physical strength is great’ - From the archive: April 1923
A review from the archive of Portuguese cellist Guilhermina Suggia
Sentimental Work: Tanja Tetzlaff on Lutosławski’s Cello Concerto
Despite being a challenging piece, the Lutosławski Cello Concerto brings back memories for the German cellist, from her tutor Heinrich Schiff to her own teaching experience
Opinion: French or German bass bow hold?
Rodrigo Moro Martín, the London Symphony Orchestra’s new principal double bass, argues that the two tribes who favour French and German bow holds should coexist in perfect harmony
‘I really don’t like it but don’t change a note’ - Pierre Amoyal’s Life Lessons
The French violinist and pedagogue on his time with Heifetz and the perils of competitions
Premium ❘ Feature
‘It feels like everything coming together in life’ - Carolin Widmann
The German violinist Carolin Widmann talks to David Kettle about returning to live performance and her commitment to new music
Premium ❘ Feature
The man of property: Who was Baron Johann Knoop?
Clifford Hall tells the story of the German collector Baron Johann Knoop
Premium ❘ Feature
‘It feels like everything coming together in life’ - Carolin Widmann
The German violinist Carolin Widmann talks to David Kettle about returning to live performance and her commitment to new music
Premium ❘ Focus
Sentimental Work: Viotti’s Ranz des Vaches
Peter Sheppard Skærved on how Viotti’s short piece Ranz des Vaches had a seismic effect on him
Premium ❘ Focus
Postcard from Kerteminde: Chamber Music at Lundsgaard
The beautiful Lundsgaard Estate on the Danish island of Funen is the setting for an imaginative summer chamber music festival, as Emma Baker discovers
Competitions
Sphinx Organization awards 2023 Medals of Excellence
The medals recognise extraordinary Black and Latinx classical musicians and come with a $50,000 career grant
Winners announced at 15th International Mozart Competition
The Arete Quartet from South Korea took first prize of €20,000 in the string quartet category
Winners announced at Haslemere International String Competition
Two cellists scooped the top prizes at the final on 12 February
Premium ❘ News
‘Played with a bamboo chopstick’ - Premiere of the Month: A world of difference
A cello concerto based on musical contrasts
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Premium ❘ News
Competitions, Awards and Appointments: April 2023
This month’s competition results, appointments and forthcoming contests
Masterclass: Beethoven Cello Sonata no.4 in C major
Cellist Amit Peled gives his thoughts on a second movement of introspection and wild exploration, written as the composer was coming to terms with his hearing loss
Masterclass: Antje Weithaas on Brahms Violin Concerto part 1
In the first of a two-part article, Antje Weithaas discusses mystery and contrast in the first movement of this great work
Masterclass: Beethoven Cello Sonata no.4 in C major
Cellist Amit Peled gives his thoughts on a second movement of introspection and wild exploration, written as the composer was coming to terms with his hearing loss
Masterclass: Antje Weithaas on Brahms Violin Concerto part 1
In the first of a two-part article, Antje Weithaas discusses mystery and contrast in the first movement of this great work
Masterclass: Mozart Violin Concerto no.4 in D major K218
Violinist Francesca Dego looks at how to play the final movement of this violin concerto with direction, musicality and a sense of fun
The Strad Podcast #79: Iris Zhulla on bow repair and restoration
Iris shares her philosophy behind repairing bows, as well as some simple tips for keeping one’s bow in good health
The Strad Podcast #78: Seth Parker Woods on practising octaves for cellists
The cellist shares his strategies for breaking down this tricky technical concept
The Strad Podcast #79: Iris Zhulla on bow repair and restoration
Iris shares her philosophy behind repairing bows, as well as some simple tips for keeping one’s bow in good health
The Strad Podcast #78: Seth Parker Woods on practising octaves for cellists
The cellist shares his strategies for breaking down this tricky technical concept
The Strad Podcast #77: 2023 Sphinx Competition winner Njioma Grevious
The violinist shares her strategies for competition and performance preparation, as well as how she embodies the character of a piece on stage
Competitons
Sphinx Organization awards 2023 Medals of Excellence
The medals recognise extraordinary Black and Latinx classical musicians and come with a $50,000 career grant
Winners announced at 15th International Mozart Competition
The Arete Quartet from South Korea took first prize of €20,000 in the string quartet category
Winners announced at Haslemere International String Competition
Two cellists scooped the top prizes at the final on 12 February
Cracking reels from Irish fiddler Johnny Doherty
The folk musician, seen here playing in 1960, had an enormous impact on the music of his home country of Donegal
Cracking reels from Irish fiddler Johnny Doherty
Renaud Capuçon and Martha Argerich perform Franck’s Violin Sonata
The Valencia Baryton Project performs Haydn
Cremonese measurements: the use of the Roman oncia
Schubert transports me to another world: violinist Stella Chen
VivaViola! presents livestreamed series of events
Maxim Vengerov performs Beethoven’s ‘Kreutzer’ Sonata for Violin and Piano
Orchestra of the Swan performs Bach Prelude in B minor
Mozart on a matched quartet: the Leonkoro Quartet play on award-winning instruments
Peter Sheppard Skærved on the ‘Pierre Rode’ Stradivari
- Previous
- Next
Back in stock at The Strad Shop: The Best of Trade Secrets 1-5
The five volumes comprise articles on all aspects of stringed instrument making and restoration
The man of property: Who was Baron Johann Knoop?
Clifford Hall tells the story of the German collector Baron Johann Knoop
Value judgements: What is your time and labour worth?
Benjamin Schilbach gives a guide to determining an hourly rate as the cost of living rises daily
Under pressure: Dealing with humidity
Jacqueline Vanasse asks players and experts how to deal with the challenges of changing environments
Making Matters: Choosing the right wood
Bridge maker Milo Stamm gives his thoughts on wood selection and preparation, acknowledging the value of gaining opinions and feedback from everyone across the trade
Trade Secrets: Making purfling with fish glue
A flexible method for luthiers who prefer to make their own purfling rather than buy it ready-made
Back in stock at The Strad Shop: The Best of Trade Secrets 1-5
The five volumes comprise articles on all aspects of stringed instrument making and restoration
The man of property: Who was Baron Johann Knoop?
Clifford Hall tells the story of the German collector Baron Johann Knoop
Value judgements: What is your time and labour worth?
Benjamin Schilbach gives a guide to determining an hourly rate as the cost of living rises daily
Under pressure: Dealing with humidity
Jacqueline Vanasse asks players and experts how to deal with the challenges of changing environments
Making Matters: Choosing the right wood
Bridge maker Milo Stamm gives his thoughts on wood selection and preparation, acknowledging the value of gaining opinions and feedback from everyone across the trade
Trade Secrets: Making purfling with fish glue
A flexible method for luthiers who prefer to make their own purfling rather than buy it ready-made
Concert review: Doric Quartet
Tim Homfray attends the performance of Haydn and Beethoven at London’s Wigmore Hall on 23 January 2023
Concert review: Liam Byrne (viola da gamba/electronics)
Edward Bhesania visits London’s Kings Place for the performance of Picforth, Alex Mills and Nico Muhly on 20 January 2023
Concert review: Amatis Piano Trio
tim Homfray visits London’s Wigmore Hall on 15 January 2023 for the performance of Tarrodi, Mozart and Schumann
Phantasm: The Well-Tempered Consort III
A final volume of Bach yields delights
Arabella Steinbacher, Christoph Koncz: Bach, Pärt
Baroque and contemporary composers find spiritual companionship
Amandine Beyer: Biber
A devotional dance through the Rosaries
Book review: What She’s Like: A Memoir
Ruth Hallows reviews the autobiography of Helen O’Hara, best known as the violinist in 80s pop band Dexy’s Midnight Runners
Book review: Bach Revealed: A Player’s Guide to the Solo Cello Suites by J.S. Bach
Janet Banks reviews a new concept of learning and playing Bach’s Cello Suites
Book review: Exploring Country and Bluegrass Fiddle
David Lasserson reviews Chris Haigh’s latest exploration of American fiddle music
Debate
Opinion: Are regional differences in orchestral tuning really necessary?
Historically, orchestras have tuned to slightly different versions of the note A. Thomas Eisner wonders whether such gradations really matter
‘The violin concerto lives again’ - Opinion
Are we witnessing a golden age for new violin concertos, or simply too much of a good thing?
Debate
Opinion: Are regional differences in orchestral tuning really necessary?
Historically, orchestras have tuned to slightly different versions of the note A. Thomas Eisner wonders whether such gradations really matter
‘The violin concerto lives again’ - Opinion
Are we witnessing a golden age for new violin concertos, or simply too much of a good thing?
Accessories
Products April 2023: Warchal Timbre viola strings
A gut-string sound with modern technology
Products April 2023: DemengaSound cello tailpiece
A new tailpiece for a freer sound
Products April 2023: Negri Eternity case
A modern addition to the company’s collection
Concert review: Doric Quartet
Tim Homfray attends the performance of Haydn and Beethoven at London’s Wigmore Hall on 23 January 2023
Concert review: Liam Byrne (viola da gamba/electronics)
Edward Bhesania visits London’s Kings Place for the performance of Picforth, Alex Mills and Nico Muhly on 20 January 2023
Concert review: Amatis Piano Trio
tim Homfray visits London’s Wigmore Hall on 15 January 2023 for the performance of Tarrodi, Mozart and Schumann
Book review: What She’s Like: A Memoir
Ruth Hallows reviews the autobiography of Helen O’Hara, best known as the violinist in 80s pop band Dexy’s Midnight Runners
Book review: Bach Revealed: A Player’s Guide to the Solo Cello Suites by J.S. Bach
Janet Banks reviews a new concept of learning and playing Bach’s Cello Suites
Book review: Exploring Country and Bluegrass Fiddle
David Lasserson reviews Chris Haigh’s latest exploration of American fiddle music
Phantasm: The Well-Tempered Consort III
A final volume of Bach yields delights
Arabella Steinbacher, Christoph Koncz: Bach, Pärt
Baroque and contemporary composers find spiritual companionship
Amandine Beyer: Biber
A devotional dance through the Rosaries
Artists
Words of Wisdom: Cellist Nelson Cooke
The former principal cellist of the London Symphony and Royal Philharmonic Orchestras shared his musical insights in our September 2011 issue
‘Khachaturian’s Violin Concerto is physically demanding’: Nemanja Radulović
The violinist shares his thoughts on this challenging, yet beautiful work
How I play both baroque and modern violin: Anna Urpina
Focus, preparation and a willingness to adapt are keys to performing on two different instruments
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