All Issues old articles – Page 17
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ReviewJonah Kim: Rachmaninoff, Barber
Apt composer pairing for a Curtis-formed duo makes a satisfying listen
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ReviewEckart Runge: Transitions
Exemplary playing distinguishes concertos from two Soviet mavericks
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ReviewHarriet Mackenzie, Richard Harwood: Gunning
A fresh chance to hear the British composer’s pastoral-themed concertos
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ReviewJennifer Pike: Elgar, Vaughan Williams
Rare and well-known repertoire with a twist combine in an irresistible release
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ReviewDaniel Müller-Schott: Brahms
Exceptional music making from this cello–piano duo that’s never showy for its own sake
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ReviewNicolas Altstaedt, Alexander Lonquich: Beethoven
Outstanding set of Beethoven’s cello music stands tall in a crowded field
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ReviewSergey Malov: Bach
The Bach Suites performed on the ‘shoulder cello’ prove more than just a curiosity
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Premium ❘ ArticleSoundpost: Letters to the Editor September 2020
A selection of letters The Strad receives each month from its readers around the world: September 2020 issue
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ReviewYo-Yo Ma et al: Not Our First Goat Rodeo
Cellist and folk-music friends in a delightful, genre-bending second album
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ReviewLisa Batiashvili: City Lights
Lights, camera, action: a violinist’s evocative movie-musical travels
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ReviewArabella Steinbacher: Four Seasons
A popular seasonal pairing full of requisite energy and drama
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ReviewPeter Sheppard Skærved: Schubert
A light but not lightweight approach imbues this with a sense of wonder
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ReviewAviv Quartet, Amit Peled: Schubert
A light but not lightweight approach imbues this with a sense of wonder
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ReviewCamille Thomas: Voice of Hope
Expansive and expressive playing in a musical journey towards hope
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ReviewHee-Young Lim: Rachmaninoff, Prokofiev
A sensitive and poetic approach to Russian cello sonatas
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ReviewLawrence Power: MacMillan
Viola concerto is a 21st-century classic in the hands of a passionate advocate
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ReviewCamerata Tchaikovsky/Yuri Zhislin: Russian Colours
A revelatory viola arrangement of a saxophone concerto
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ReviewInbal Segev: Clyne, Elgar
Well-pitched and assertive playing in cello concertos both old and new
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