All Issues old articles – Page 18
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ReviewAlisa Weilerstein: Bach
A standout, meditative and individual approach to the cellists’ cornerstone
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Premium ❘ ArticleSoundpost: Letters to the Editor August 2020
A selection of letters The Strad receives each month from its readers around the world: August 2020 issue
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ReviewVirgil Boutellis-Taft: Incantation
Intimate and inward-looking playing perfectly suits a memorable recital programme
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ReviewOphélie Gaillard: I Colori dell’Ombra
Lyrical, colourful and dramatic album of Vivaldi’s cello concertos
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ReviewMaxim Rysanov: Vasks
A notable contemporary viola concerto from an acclaimed Latvian composer
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ReviewThymos Quartet: Schubert
A warm and convincing ‘Trout’ doesn’t overplay its star guest’s presence
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ReviewTabea Zimmermann: Cantilena
Wordless songs transcribed for the viola with breathtaking beauty
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ReviewAugustin Hadelich: Bohemian Tales
Violinist’s immensely enjoyable journey through a landscape of Czech music
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ReviewTasmin Little: British Violin Sonatas Vol.3
Gloriously inventive 20th-century British music from a much-loved duo
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ReviewAnne-Sophie Mutter, Yo-Yo Ma: Beethoven
Triple bonus with dramatic yet touching Beethoven from star soloists
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ReviewJaakko Kuusisto, Pekka Kuusisto: Aho
Finnish brothers give passionate accounts of music by their countryman
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ReviewAlina Ibragimova: Shostakovich
Gripping playing captures Shostakovich’s astringent wit and emotional drama
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ReviewDavid Nebel: Glass, Stravinsky
A refreshing and highly recommended pairing of 20th-century concertos
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Premium ❘ ArticleSoundpost: Letters to the Editor July 2020
A selection of letters The Strad receives each month from its readers around the world: July 2020 issue
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ReviewLive stream review: Music Never Sleeps NYC
Bruce Hodges watches the marathon music event, curated by cellist Jan Vogler, on 27–28 March, reviewing some of the live performances by string players
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ReviewConcert review: Zuill Bailey (cello) South Florida Symphony Orchestra/Sebrina María Alfonso
Dennis Rooney visits Fort Lauderdale’s Broward Center for the Performing Arts for the concert on 5 March