Reviews – Page 97
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ReviewBook review: Valentin Berlinsky: A Quartet for Life
Tully Potter reviews Maria Matalaev’s biography of the Borodin Quartet cellist
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ReviewWilhelmina Smith: Salonen and Saariaho
Mesmerising performances of cello works for the 21st century
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ReviewEldbjørg Hemsing: Tan Dun
‘World music’ violin concertos receive fiery, thrilling performances
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ReviewLeonard Elschenbroich, Alexei Grynyuk: Beethoven
Cellist brings a marvellous spontaneity to Beethoven’s sonatas
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ReviewBenyounes Quartet: Innovators: Bartók, Beethoven, Debussy
Quartet’s tenth-anniversary disc is something to celebrate
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ReviewiPractice: Technology in the 21st Century Music Practice Room
Alex Laing reviews a practical guide to how music teachers and students can use the latest tech wizardry
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ReviewConcert review: Rebecca Fischer (violin)
Leah Hollingsworth hears the performance at Miller Theatre, Columbia University, on 2 April 2019
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ReviewConcert review: Artemis Quartet
Leah Hollingsworth hears the performance at 92Y, NY, on 9 April 2019
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ReviewConcert review: Gautier Capuçon (cello) Yuja Wang (piano)
Bruce Hodges hears the performance at Carnegie Hall, NY, on 10 April 2019
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Concert review: James Ehnes (violin) London Philharmonic Orchestra/Edward Gardner
Bruce Hodges attends the concert at David Geffen Hall, NY, on 15 April 2019
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Concert review: Tabea Zimmermann (viola) Adam Walker (flute) |Agnès Clément (harp)
Tim Homfray hears the concert at London’s Wigmore Hall on 15 April 2019
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ReviewConcert review: Lisa Batiashvili (violin) BBC Symphony Orchestra/Andrew Davis
Tim Homfray hears the concert at the Barbican on 17 April 2019
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Concert review: Patricia Kopatchinskaja (violin) Reto Bieri (clarinet) Polina Leschenko (piano)
Peer Quantrill listens to the performance at Wigmore Hall on 27 April 2019
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ReviewConcert review: Hagen Quartet plays Schubert
Peter Quantrill listens to the performance at Wigmore Hall on 29 April 2019
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ReviewLionel Tertis International Viola Competition 2019
Tully Potter hears some ravishing playing at the Lionel Tertis International Viola Competition, although standout performances were somewhat thin on the ground
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ReviewKremer: Weinberg
Solo cello music appropriated for the violin – in dazzling, charismatic style
