All Focus articles – Page 47
-
FocusTop 5 free online musical education resources
As the lockdown continues, several individuals and organisations have put their heads together to come up with online solutions to musical education. Here are 5 of our favourites
-
Focus'Popper's cello studies force you to know the fingerboard inside out'
The cellist and Boston Conservatory chair of strings considers the value of the composer's etudes
-
FocusWhat does the future hold for string musicians?
As The Strad celebrates its 130th anniversary this month, Charlotte Gardner examines what might be on the cards for players
-
FocusTop 11 places to find string music concerts online
With multiple venues embracing live-streaming and making past concerts available online, we present a round-up of the best sources for string music
-
FocusMatthew Barley: How a skiing injury changed the way I play
The British cellist reveals how he overcame the shoulder complaint that threatened his career. From the January 2009 issue
-
FocusBrahms among the Palms: Postcard from Boca Raton
Florida’s second triennial Elmar Oliveira International Violin Competition brought a classical feast to a part of the world perhaps better known for its beaches and golf retreats, writes Laurence Vittes
-
FocusRussian cellist Karine Georgian remembers lessons with Mstislav Rostropovich
An intense seven-year period of study at the Moscow Conservatoire was hugely influential
-
FocusAcademy of St Martin in the Fields on their current music director Joshua Bell
The Academy of St Martin in the Fields celebrates its 60th anniversary this season with a 60-CD box set of its celebrated recordings, and tours to Europe and the US. Toby Deller speaks to some of the orchestra’s long-standing string players about the experience of playing under their current music ...
-
FocusTechnique: How do you develop musicality?
Exercises and advice from Ross Harbaugh, professor of cello at Miami’s Frost School of Music, to help build musical awareness and understanding
-
FocusWhere can musicians find financial support at this time?
A round-up of UK and US-based organisations offering financial support to musicians during these challenging times
-
Focus7 ways to harness mental practice for musicians
Tips for using mental imaging to boost your musical practice regime from The Strad’s archive
-
-
FocusRemembering the Hungarian pedagogue Béla Katona
One of the 20th century’s greatest violin pedagogues, Béla Katona would have turned 100 this month. Here Tully Potter speaks to former pupils – mainly at London’s Trinity College of Music – about the success of his teaching methods
-
Focus7 views on repetitive practice
Is repetition the most effective mode of practice? Debate from The Strad Archive
-
FocusAnne-Sophie Mutter on Herbert von Karajan and John Williams
Anne-Sophie Mutter talks to Charlotte Smith about her very different, and yet in some ways remarkably similar, collaborations with conductor Herbert von Karajan and composer John Williams
-
FocusPablo Casals’s approach to vibrato
The legacy of Pablo Casals can be traced primarily to the methods of his colleague Diran Alexanian and favourite student Maurice Eisenberg. Oskar Falta explores the Catalonian cellist’s main vibrato theories, as communicated by these two associates
-
Focus6 ways to perfect your double-stops
Tips from The Strad’s archive on producing even and finely tuned double-stops
-
FocusHow should string teachers deal with naturally unmusical children?
It may be sad to say, but some pupils have no gift for playing at all, says Royal Northern College of Music senior lecturer in education, Philippa Bunting
-
FocusBoris Kuschnir: Educating and forging talent
The Austrian violinist gave the below lecture on 8 December 2019 at the first meeting of the Shanghai Conservatoire of Music’s Advisory Council for International Artists
-
FocusA method for viola-playing, according to Karen Tuttle
Violists, particularly in the US, regard Karen Tuttle as a pioneer of pedagogy. As this month marks the 100th anniversary of her birth, Carlos María Solare outlines some of her ideas on playing the viola
