All Featured Stories articles – Page 73
-
BlogsHow the Taubman Approach can help string players prevent RSIs
Pioneer of the Taubman Approach, pianist and pedagogue Edna Golandsky adapted the method with violinist Sophie Till and shares how returning to natural physical alignment can help string players avoid injury
-
Blogs‘I have never entered a competition hoping to win’ - Emma Wernig
Violist Emma Wernig shares her experiences of finding musical freedom within the stressful environment of competitions
-
FocusThe Strad Podcast Episode #3: Benjamin Baker on performing solo Bach
Violinist Benjamin Baker speaks about performing all six sonatas and partitas by Bach, as well as how playing solo Bach can inform his playing of contemporary works, and vice versa.
-
BlogsImprovising on Bach's solo violin works
In this post originally from 2015, violinist Hugo Ticciati discusses the art of improvisation and using Bach as a basis for musical meditation
-
BlogsViolinist Hyung Joon Won on the healing power of Antibody Music
The musician writes about his journey with MIT professor Markus Buehler to create Covid-19 Antibody Music (Protein Antibody in E-minor) – a work derived from the vibrational frequencies of Covid spike proteins and antibodies that they hope will offer therapy against viral disease
-
Focus‘A time of gathering clouds’ - Marius May’s early departure from the spotlight
In this extract from the July 2021 issue, Simon May tells the story of his brother Marius May’s withdrawal from performing life, following the cellist’s immense blossoming as a teenage musical talent
-
FocusYehudi Menuhin's marked-up copy of Bach's Solo Violin Sonata no.2
Have a small peek into the workings of Menuhin's interpretation. Taken from The Strad's May 2016 issue.
-
FocusPlayfulness, humour and religion: character in Bach’s solo violin sonatas
In this extract from the July 2021 issue, Lewis Kaplan, senior member of the Juilliard School faculty, introduces his discussion of character and interpretation of Bach’s three sonatas for solo violin
-
Focus‘The way I like to work is not to spend three hours banging my head against a wall’
Violist Timothy Ridout reflects on his ideal working conditions surrounding his new recording of arrangements of Schumann and Prokofiev, as well as how he mimics word-settings on his instrument
-
BlogsPatterns of impermanence in life and performance
Violinist Hugo Ticciati highlights the importance of living in the moment during times of uncertainty
-
Article10 tips for improvising on a stringed instrument
Grammy-winning American jazz violinist Zach Brock gives advice for classical string players wanting to explore the world of improvisation
-
Blogs‘We will be picking up the threads of an ongoing conversation’ - composer Edmund Finnis
Ahead of the premiere of his String Quartet no.2 with Manchester Collective, Edmund Finnis explains the importance of close collaboration between composers and performers to communicate musical intentions clearly and foster a deeper mutual understanding
-
BlogsLearning to Speak Bach: Toccata and Fugue in D minor BWV565 through the lens of a solo violin transcription
Violinist Gregory Harrington shares his process of transcribing Bach’s iconic organ work for solo violin
-
Focus‘I Got Rhythm’: using ‘rhythm changes’ to explore improvisation on the double bass
In this excerpt from the April 2011 issue, bassist John Goldsby writes about using the harmonic structure of Gershwin’s classic song as a basis for new jazz melodies and improvisations
-
FocusVilla-Lobos and the cello: an early start
In this extract from the July 2021 issue, Felipe Avellar de Aquino writes about Heitor Villa-Lobos’s early leanings towards the cello which sparked his extensive output for the instrument
-
Focus5 tips from Max Grosch for improving jazz rhythm
The jazz musician shares his wisdom on ways to improve our jazz rhythm and internal sense of pulse
-
VideoSchubert String Quartet no.14 in D minor ‘Death and the Maiden’ for bass quartet
Watch the Bassinova Quartet perform the first movement of Schubert’s work, recorded remotely from four separate continents
-
BlogsTop tips for putting the joy into practice
Violinist Maren Bosma offers seven helpful tips to make practice sessions fun, varied and productive
-
BlogsI was living a left-hand dominated musical existence - Benjamin Baker
Violinist Benjamin Baker explains the importance of not becoming fixated on the left hand and how focusing on the bow arm replenished his creative juices
-
Focus’I remember one festival promoter describing him to me as being “tough as old boots” – Julian Lloyd Webber on Marius May
Marius May, who died last year, led the generation of British cellists that emerged after Jacqueline du Pré. Here, cellist Julian Lloyd Webber remembers him


























