Lutherie – Page 61
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FocusFrom the archive: the 'David, Heifetz' 1742 Guarneri 'Del Gesù'
These photos were published in the December 1988 issue of The Strad in a special issue dedicated to Jascha Heifetz which also featured a poster of the violin. This is the accompanying text
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FocusMaking matters: ground prep
Since time immemorial, makers have searched for the perfect varnish recipe, and take great care of the ground – but often fail to realise the importance of preparing the wood first. Christopher Jacoby gives a crash course in ‘ground prep’
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FocusJeff Bradetich’s instruments: a 250-year-old Guadagnini and a modern bass made of old wood
The American double bass soloist talks about how each instrument fulfils different needs. Interview by Maggie Williams
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FocusFrom the archive: a 1748 Guadagnini cello
These photos were published in the November 1988 issue of The Strad along with an interview with the cello’s owner, Gilberto Munguía
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VideoNaples violin makers: Della Corte, Postiglione and Pistucci
Sean Bishop of Bishop Instruments & Bows in London talks us through some 19th-century Naples violin makers, some following Gagliano models and other with more individual touches. n.b. the video is flipped horizontally - Sean Bishop assures us his instruments are strung the usual way round
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VideoUpton Bass: Laminated or Solid Double Bass Ribs?
’When you get inside an old old instrument, you’ve got grafted pieces of wood, you’ve got linen cloth… it’s essentially bad plywood’. Gary Upton of Upton Bass in Mystic, Connecticut, explains the benefits of plywood ribs on a double bass.
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BlogsFrom concept to sound: What judges look for in a violin making competition
Luthier Patrick Robin, one of the jury members of the International Violin Making Competition Prague, discusses how he goes about assessing an instrument
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FocusFrom the archive: the 'Duport' Stradivarius cello played by Rostropovich
These photos were published in the October 1988 issue of The Strad in an article by Edward Sainati about 19th-century French cellist August Franchomme
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VideoThe Violinist Leonidas Kavakos - excerpt from Deutsche Welle documentary
In this clip from the 2015 documentary The Violinist Leonidas Kavakos broadcast on Deutsche Welle, he makes a visit to Florian Leonhard Fine Violins to try out some instruments. Both Kavako’s previous Stradivari, the 1724 ’Abergavenny’, and his current 1734 ’Willemotte’ acquired earlier this year, have come via the London-based ...
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FocusThe titanium frog - a violinist and a luthier compare notes on the innovation
Violinist Peter Herresthal and luthier Christophe Landon recall how a performance of Kaija Saariaho’s Graal théâtre led to the debut of a new titanium bow frog
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GalleryFrom the Archive: 1911 violin by Giuseppe Fiorini
These photographs were published in the June 1988 issue of The Strad. The following text is from the accompanying article, ’Fiorini: A modern heritage’ by John Dilworth
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VideoAntoine Tamestit talks about his 1672 Stradivarius viola
In this video for the LSO, Tamestit talks through the unusual features of the ‘Mahler’ Stradivarius, named in honour of the composer, not because he owned it at any time. The instrument, on loan to Tamestit from the Habisreutinger Foundation, is thought to be the first viola by Stradivari. Tamestit ...
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GalleryFrom the Archive: the 1730 'De Munck-Feuermann' Stradivarius cello
This photograph was published in the April 1988 issue of The Strad. The following text is extracted from the accompanying article:
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FocusStradivari’s wood: investigating the chemical composition of the master's materials
For centuries, luthiers have suspected that the spruce and maple used by Antonio Stradivari had special qualities, and a recent series of experiments has sought to confirm or deny these suspicions. Here lead researcher Hwang-Ching Tai explains the methodology and findings
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GalleryFrom the Archive: Basso Di Camera by William Booth Snr, 1821
These photographs of a chamber bass were published in the March 1988 issue of The Strad. The following text is extracted from the accompanying article:
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FocusBlind testing Strads and Guarneris misses a fundamental point
Researchers who seek to compare Old Italian instruments with modern ones under scientific conditions don’t appreciate that the potential of a Strad is intrinsically entwined with its player, writes Frank Almond
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GalleryFrom the Archive: a violin by Stradivarius, 1727
This illustration of a violin by Antonio Stradivari was published in The Strad, December 1987. The following text is extracted from the article accompanying the photograph: Stradivari’s particular achievement was to bring the violin as near to perfection as to make improvements apparently impossible, through single-minded perfectionism ...
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ArticleAn ensemble of Stradivarius instruments - and one Amati - in Mozart
Five Stradivari instruments (two violins, one viola, two cellos) and one Amati viola are performed together at the Museo del Violino in Cremona, Italy. The ensemble features members of the Stradivari Quartet alongside violist Simone Gramaglia and cellist David Pia in Mozart's Sinfonia Concertante, K364. The instruments ...
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ArticleFrom the Archive: the 'Adam' Guarneri 'del Gesù' violin, 1738
This illustration of a violin by Guarneri 'del Gesù' was published in The Strad, December 1987. The following text is extracted from the article accompanying the photograph: Guarneri 'del Gesù' drew together all the strands of Cremonese and Brescian makers, and with great force of character, created ...
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ArticleFrom the Archive: a cello by Joseph Rocca, Turin, 1838
This illustration of a cello by Joseph Rocca was published in The Strad, November 1987. The following text is extracted from the article accompanying the photograph: What is it about the month of November that brings out the sellers? Ever since November 1978 and the big Sotheby event that began ...
