Lutherie – Page 59
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VideoEdgar Russ: The right soundpost position
Continuing his YouTube series, Cremona-based luthier Edgar Russ talks about how to work out the correct position of the soundpost
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VideoChristian Tetzlaff on his 2000 Greiner violin
Christian Tetzlaff switched from playing older instruments to a modern one built by the German luthier Stefan-Peter Greiner. In this video from the Czech Philharmonic he suggests that ”Stradivari and Guarneri ‘del Gesù’ were fantastic violin makers but their instruments are not good because they are old and Italian, but ...
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VideoVadim Gluzman on the 1690 ‘Leopold Auer’ Stradivarius
In this video from the Czech Philharmonic, Vadim Gluzman recalls meeting the ‘Leopold Auer’ Stradivari 21 years ago and how it feels to play the instrument which belonged to the great violin pedagogue who tauch Mischa Elman, Jascha Heifetz and Nathan Milstein
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GalleryFrom The Strad Calendar 2018: Violin by Andrea Amati, c.1566
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from a private collection in Germany featuring in October. Text by John Dilworth
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FocusFrom the Archive: the 1729 ‘Récamier’ Stradivarius from the January 1991 issue of The Strad
Mischa Elman’s violin was featured alongside an article marking his centenary, extracted from the book Mischa Elman and the Romantic Style by Allan Kozinn
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FocusStradivari's Cremona was an unstable place, ravaged by war and disease
Exactly 280 years ago in December, master violin maker Antonio Stradivari met his end. Here Andrew Dipper recounts how the changes that took place in Cremona during his final years influenced the creation of his later masterpieces
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FocusMaking a carbon fibre bow in 10 steps – photo story
Founded in 1999, Arcus has developed a reputation for making lightweight, durable bows from non-traditional materials. Company director Bernd Müsing explains how a composite bow is made, from initial design to first hair fitting
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FocusIt's the inside of the violin which governs its sound – how did we end up carving the outside arch first?
For almost two centuries luthiers have been copying instruments using the French method which, Torbjörn Zethelius argues, doesn’t give the interior carving of the violin the primacy it deserves – and crucially, that which it had in the hands of the original Italian makers
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GalleryGallery: Violin Society of America 2017 convention
The Violin Society of America’s 45th annual convention took place in Arlington, Virginia, on 9-11 November. Photographs by luthier Christopher Jacoby, editor of the VSA members’ magazine The Scroll 1. John Montgomery showing off the 1699 ‘Castelbarco’ Stradivari cello in the Library of Congress, during the Lottery Preconvention ...
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FocusFrom the archive: Edward Stollar at 80, from the July 1990 issue of The Strad
The head of the Phillips auction house music department in London for decades, Stollar was one of the violin trade’s most respected figures. The following is an extract from an article in the July 1990 issue of the strad by Robert Lewin
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GalleryFrom The Strad Calendar 2018: Stradivarius viola, 1715
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola from the Russian State Collection featuring in September. Text by John Dilworth
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FocusHardwood alternatives from natural options to advances in synthetics
Following CITES’ restrictions on the trade of rosewoods at the beginning of this year, there are those in the musical instrument industry who fear that ebony may be next. Peter Somerford looks at the alternatives to ebony and other exotic hardwoods being developed by a handful of intrepid manufacturers
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VideoIvan Hus makes a violin in 1968
This short film directed by Bogdan Žižić in 1968 shows Croatian violin maker Ivan Hus (1898–1992) in his Zagreb workshop, and follows the process of making a violin.
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FocusThe Brazilian lutherie tradition, forged by the contribution of Italian migrants
Largely neglected until now, the violin making tradition of Brazil is closely tied to the history of Italian immigration to the country. In this extract from the article by Marcos Schmitz and Ivan Guimarães in the November 2017 issue of Strad, Guido Pascoli is the focus
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NewsBernard Millant collection goes under the hammer
Vichy Enchères to auction 127 lots belonging to leading French bow maker who died earlier this year
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VideoViolin maker Guy Rabut talks about his obsession with wood
In this extended version of an interview that formed part of The Truth About Trees documentary, New York based violin maker Guy Rabut talks about the importance of fine wood in his profession
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FocusIn focus: the 1734 'Willemotte' Stradivarius violin
Florian Leonhard of London and New York dealership Florian Leonhard Fine Violins discusses the instrument now played by Leonidas Kavakos
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FocusFrom the archive: Ruggiero Ricci's Curtin & Alf 1985 replica of the 'Huberman' Guarnerius
A very fine copy of a famous instrument which went on to achieve a healthy measure of celebrity on its own merits
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NewsVirtual musical instrument museum launches with 20,000 items from British collections
Launching today, the MINIM-UK website features photos, audio and video from 20,000 items spanning 5,000 years
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GalleryFrom The Strad Calendar 2018: Viola da gamba by Girolamo Amati, 1611
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola da gamba from the Russian State Collection featuring in July. Text by John Dilworth
