All articles by Christian Lloyd – Page 4
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FeatureSentimental Work: Narek Hakhnazaryan
For the Armenian cellist, Tchaikovsky’s Rococo Variations allows for incredible freedom of expression – and even has the ability to heal
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FeatureSentimental Work: Ray Chen
The Preludio and Gavotte en Rondeau from Bach’s Violin Partita no.3 were the violinist’s key to the Sonatas and Partitas – and provide meaning in the depths of the Covid-19 pandemic
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FeatureSentimental Work: Vadim Repin
Despite a shaky beginning, Prokofiev’s Violin Concerto no.2 has become one of the most beloved pieces in the Russian violinist’s repertoire
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FeatureSentimental Work: Roby Lakatos
‘The devil’s fiddler’ explains why Monti’s Csárdás has been a mainstay of his repertoire since the earliest days – and why it still brings out the creativity in him and his collaborators
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FeatureSentimental Work: Steven Isserlis
Beethoven’s Cello Sonata no.4 was the gateway the British cellist needed to understand the myriad delights and complexities of the composer’s work
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FeatureSentimental Work: Maxim Vengerov
The First Violin Concerto by Shostakovich brings back memories of the Russian violinist’s first meeting with Mstislav Rostropovich – an encounter that blossomed into firm friendship
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ArticleSentimental Work: Ralph Kirshbaum on the Elgar Cello Concerto
The Elgar Cello Concerto has played an important part in some of the US cellist and pedagogue’s most memorable, emotional and significant concerts
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FeatureSentimental Work: Leonidas Kavakos
For the Greek violinist, Beethoven’s Violin Concerto stands apart from the rest of the repertoire – and requires a very special method of interpretation
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Premium ❘ ArticleAsk the Teacher - Sue Lowe
The cello pedagogue discusses tension, overcoming nerves and why the learning process never comes to an end
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FeatureSentimental Work: Jean-Luc Ponty
The French jazz violinist–composer has recorded his 1976 piece ‘Renaissance’ three times – but it’s the original version that remains close to his heart
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FeatureSentimental Work: Sheku Kanneh-Mason
For the British cellist, Elgar’s Cello Concerto brings back a wealth of memories from his earliest years studying the instrument – and of trying to play like Jacqueline du Pré
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FeatureSentimental Work: Linus Roth
Weinberg’s Violin Concerto is a work of passionate intensity, as the German violinist found – even though he hadn’t encountered the composer until eight years ago
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FeatureSentimental Work: Alisa Weilerstein on Mozart’s Don Giovanni
The climactic scene between Don Giovanni and the Commendatore was the American cellist’s bedtime listening for years – and has stayed with her for even longer
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