All articles by Christian Lloyd – Page 2
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ArticleSentimental Work: Viktoria Mullova
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
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FeatureSentimental Work: Boris Kuschnir on Mozart Violin Concerto no.4
For the Austrian violinist, Mozart’s Violin Concerto no.4 in D major K218 brings back fond memories of David Oistrakh – and a less salubrious recollection of the Tibor Varga Competition. From the October 2019 issue
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FocusSentimental Work: Guy Johnston
The Walton Cello Concerto brings back fond memories for the British cellist, from one of his first concerts to a recent performance by early mentor Steven Isserlis
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FeatureSentimental Work: François Rabbath
Performing Bach’s Cello Suites on the double bass was unheard of when the 90-year-old bassist was starting out – but now they’re almost considered standard repertoire
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Premium ❘ FeatureMy Space: Jurgen Preyer
The Netherlands-based luthier built the workshop in my garden, soon after moving in
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FocusSentimental Work: Jeffrey Solow
Brahms’s First Symphony was the piece that inspired the American cellist to dedicate his career to music, and prompts a reminiscence of his teacher Piatigorsky
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Premium ❘ FeatureMy Space: Sam Zygmuntowicz
The luthier’s workshop, based in Brooklyn, New York, is spread across two floors, and includes a ‘salon’ where customers can test their instruments. From May 2015
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Premium ❘ FeatureMy Space: Giancarlo Arcieri
The Miami-based luthier was based in New York until three years ago
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FocusSentimental Work: Tim Kliphuis
Richard Strauss’s song Morgen! proved to be the Dutch violinist’s route into cross-genre performance – and one of the most popular pieces performed by his trio
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Premium ❘ FeatureMy Space: Yuji Kaneko
The luthier returned to Japan from Italy two years ago to establish a workshop in his home town
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FeatureSentimental Work: Daniel Hope
Schnittke’s First Violin Sonata was the Irish–German violinist’s introduction to the composer’s work – as well as the perfect opening to meet the composer himself
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FeatureSentimental Work: Camille Thomas
The Franco-Belgian cellist gave an impassioned premiere performance of Fazil Say’s cello concerto ‘Never Give Up’ in 2018, and has now recorded the piece for Deutsche Grammophon
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FeatureSentimental Work: Narek Hakhnazaryan
For the Armenian cellist, Tchaikovsky’s Rococo Variations allows for incredible freedom of expression – and even has the ability to heal
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FeatureSentimental Work: Ray Chen
The Preludio and Gavotte en Rondeau from Bach’s Violin Partita no.3 were the violinist’s key to the Sonatas and Partitas – and provide meaning in the depths of the Covid-19 pandemic
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FeatureSentimental Work: Vadim Repin
Despite a shaky beginning, Prokofiev’s Violin Concerto no.2 has become one of the most beloved pieces in the Russian violinist’s repertoire
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FeatureSentimental Work: Roby Lakatos
‘The devil’s fiddler’ explains why Monti’s Csárdás has been a mainstay of his repertoire since the earliest days – and why it still brings out the creativity in him and his collaborators
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FeatureSentimental Work: Steven Isserlis
Beethoven’s Cello Sonata no.4 was the gateway the British cellist needed to understand the myriad delights and complexities of the composer’s work
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FeatureSentimental Work: Maxim Vengerov
The First Violin Concerto by Shostakovich brings back memories of the Russian violinist’s first meeting with Mstislav Rostropovich – an encounter that blossomed into firm friendship
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