All articles by Christian Lloyd – Page 2
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FocusThe Strad Calendar 2024: 1739 ‘Beatrice Harrison’ Pietro Guarneri of Venice cello
One of only five or six cellos made by the luthier, it was the British cellist’s principal performing instrument for many years
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FocusThe Strad Calendar 2024: c.1580 Gasparo da Salò viola
One of the very few violas by the Brescian luthier that has never been cut down
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FocusThe Strad Calendar 2024: 1737 ‘King Joseph’ Guarneri ‘del Gesù’ violin
Once considered the crowning achievement of Guarneri’s career, this instrument has pristine golden-orange varnish
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FocusThe Strad Calendar 2024: 1740 ‘Fritz Kreisler’ Carlo Bergonzi violin
One of the finest existing examples of Bergonzi’s work, the instrument still retains its original neck
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FocusThe Strad Calendar 2024: 1713 ‘Bass of Spain’ Antonio Stradivari cello
An extraordinary instrument by the master luthier, with an even more incredible provenance
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FocusThe Strad Calendar 2024: 1709 ‘La Pucelle’ Antonio Stradivari violin
Considered to be the first instrument made during the master luthier’s ‘golden period’, the violin is in an excellent state of preservation
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FocusThe Strad Calendar 2024: 1676 ‘Conte Vitale’ Andrea Guarneri viola
The ‘Conte Vitale’ is one of only two instruments in the collection to have retained its original neck
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FocusThe Strad Calendar 2024: 1715 ‘Baron Knoop’ Antonio Stradivari violin
The favourite instrument of collector David L. Fulton, for whom its tone is ’silvery with lots of “sizzle”’
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FocusThe Strad Calendar 2024: 1698 ‘Shapiro’ Pietro Guarneri of Mantua violin
The first fine instrument ever bought by collector David L. Fulton is a genuine rarity
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FeatureSentimental Work: Anne-Sophie Mutter on Penderecki’s Metamorphosen
Interviewed for The Strad August 2018, violinist Anne-Sophie Mutter discusses Penderecki’s Second Violin Concerto, a work that harbours undiscovered secrets
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FeatureSentimental Work: Julia Fischer on Bach Double Violin Concerto
Bach’s Concerto for Two Violins BWV1043 has been one of the German violinist’s constant companions – and is still a rich learning experience with each performance
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Premium ❘ FocusSentimental Work: Bach’s Sonatas and Partitas on the violoncello piccolo
Italian cellist Mario Brunello recalls the first time he performed Bach’s Sonatas and Partitas on the violoncello piccolo
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Feature‘Spectacularly colourful, loud and proud’ - The Strad Calendar 2023: The Australian Collection
The Strad Calendar 2023 showcases twelve fine instruments owned or played by Australians.
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FeatureSentimental Work: Amanda Forsyth
For the Canadian cellist, Richard Strauss’s Don Quixote is a rollercoaster ride through all the composer’s Romantic works, as well as a huge physical challenge
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FocusSentimental Work: Arnold Steinhardt
For the former leader of the Guarneri Quartet, Schubert’s Fantasy in C major is one of the most life-affirming works in the repertoire, as well as a test of technical skill
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FocusSentimental Work: Matt Haimovitz
For the cellist, Ligeti’s Sonata for Solo Cello was the doorway into the complex world of modern and non-classical music – with a little help from the composer himself
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ArticleSentimental Work: Viktoria Mullova
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
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FeatureSentimental Work: Boris Kuschnir on Mozart Violin Concerto no.4
For the Austrian violinist, Mozart’s Violin Concerto no.4 in D major K218 brings back fond memories of David Oistrakh – and a less salubrious recollection of the Tibor Varga Competition. From the October 2019 issue
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FocusSentimental Work: Guy Johnston
The Walton Cello Concerto brings back fond memories for the British cellist, from one of his first concerts to a recent performance by early mentor Steven Isserlis
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FeatureSentimental Work: François Rabbath
Performing Bach’s Cello Suites on the double bass was unheard of when the 90-year-old bassist was starting out – but now they’re almost considered standard repertoire
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