All Magazine articles – Page 103
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ReviewDaniel Röhn: The Golden Violin
Sadly more gilt than gold in a nevertheless attractive programme of oldies
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Review
Concert review: Escher Quartet
Leah Hollingsworth reviews what she heard at Alice Tully Hall on 7 May 2019
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Review
Concert review: Quatuor Danel
Dennis Rooney heard the foursome perform at Washington Irving High School on 11 May 2019
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Review
Concert review: Viktoria Mullova (Violin) Philharmonia Orchestra/Paavo Järvi
Tim Homfray went to the Royal Festival Hall concert on 11 May 2019
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ReviewConcert review: Endellion Quartet
Tim Homfray saw the players perform at Wigmore Hall on 29 May 2019
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Review
Concert review: Leonidas Kavakos (Violin) Royal Concertgebouw Orchestra/Myung-Whun Chung
Janet Banks saw the event at the Concertgebouw Amsterdam on 19 May 2019
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ReviewConcert review: Cho-Liang Lin (Violin) Jon Kimura Parker (Piano)
Bruce Hodges attended the recital at Lincoln Center’s Rose Studio on 9 May 2019
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ReviewO/Modernt: From the Ground Up/The Chaconne
Readings, rap and remixes – but it’s all about that ground bass
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ReviewBruno Philippe: Rachmaninoff, Myaskovsky
Beauty of sound is paramount in two contemporaneous Russian works
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ReviewBook review: Lady with a Brooch: Violinist Eva Mudocci
Tully Potter reviews Rima Shore’s book
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ReviewBook review: The Double Bass-Voice: A How-To Guide
The Double Bass-Voice: A How-To Guide The Double Bass-Voice: A How-To Guide Cody Takács 58PP ISBN 9781717231901 www.codytakacs.com $20 We are all told that we should be singing what we are playing while we are playing, but how many of us can sing another part, ...
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ReviewQuatuor Zaïde: The Magic Flute arranged for quartet
Fluteless but still magic: Mozart’s opera in string quartet arrangement
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ReviewMarietta Kratz et al: Loewe
A song composer successfully turns his hand to string chamber music
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ReviewConcert review: Kian Soltani (Cello) Aaron Pilsan (Piano)
Bruce Hodges hears the performance at Weill Recital Hall on 2 May 2019
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ReviewBook review: The Violin in 5ths: Developing Intonation and Sound
Anne Inglis reviews Rodney Friend’s inspiring volume
