All Galleries articles – Page 4
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GalleryIn focus: violin by G.B. Rogeri
In this article from the October 2009 issue, Philip Kass untangles Rogeri, Rugeri and the last Amati in taking a closer look at a late 17th-century violin by the first
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GalleryThe ‘Sabionari’ Stradivarius guitar, 1679
Of the five or six Stradivari guitars still extant, it is also, thanks to a recent restoration, the only one that is currently playable. Violinmaker Gregg Alf takes a closer look[click + to zoom]
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GalleryCremona Triennale: the Olympics of violin making
Virginia Villa, director of Museo del Violino, previews the 15th edition of Cremona’s Triennale competition, which begins in September. Photos from the 2015 edition
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FocusFrom the archive: Violin by Santo Serafin c.1740
In the January 2013 issue, John Dilworth examined this fine example of the great Venetian craftsman’s work [click + to zoom in]
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Premium ❘ FeatureLeopold Auer profiled in the July 1907 issue of The Strad
This article by B. Herderson was published in the July 1907 edition of The Strad, when Auer was 62 years old. Zoom in to the pages by clicking the + symbol and click the arrows to navigate
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FocusFrom the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri
Marked forever by Paganini and nearly lost in the snow by Piatti, this 1717 cello by Pietro Giacomo Rogeri has had a colourful history. Article by John Dilworth from the July 2009 issue
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NewsGallery: X-raying a Strad case
Dimitri Musafia shares what is likely the first X-ray of a case from the Stradivari workshop
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FocusFrom the archive: the 1697 'Molitor' Stradivarius
This article by Philip Kass was first published in the December 2010 issue, soon after the instrument had been sold to Anne Akiko Meyers for a then-record $3.6m
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FocusBuilding bridges: a photo essay
Have you ever wondered who makes the world’s stringed instrument bridges, and how? In this gallery, we follow the process from tree trunk to blank bridge
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FocusFrom the archive: a c.1845 violin by Pressenda
Recent research shows that Giovanni Francesco Pressenda worked as a farmer before turning his hand to instrument making. In this article from the April 2005 issue, Alberto Giordano examines a late c.1845 violin
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FocusJan Vogler's 1707 ‘Fau, Castelbarco’ Stradivarius
In this extract from an article published in the August 2017 issue, Jan Vogler discusses how he first encountered the cello that is now his constant companion
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FocusFrom the archive: a viola in the attic
In our October 2004 issue, Anthony Lane admires a recently discovered 1780 viola by William Forster, in pristine condition
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FocusFrom the archive: a c.1744 violin by Michele Angelo Bergonzi
In this article from the October 2010 issue, Christopher Reuning examines a violin by Carlo Bergonzi’s eldest son which has previously been misattributed as a Guarneri ‘del Gesù’ and Lorenzo Guadagnini
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FocusFrom the archive: a 1724 cello by Alessandro Gagliano
In this article from the May 2005 issue, John Dilworth examines a fine 1724 cello by Alessandro Gagliano, founding father of the Neapolitan violin making dynasty
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VideoRoyal Academy of Music reveals new opera theatre and facilities
The building project, which began in 2015 with the closure of the Sir Jack Lyons theatre, was funded largely through a £30m fundraising campaign
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NewsThis is why string players don't want their instruments in the hold
These photos of damage to a guitar reportedly sustained during an American Airlines flight is strong reminder of why players of valuable instruments refuse to let them out of their sight. It is worth noting that an average conservatoire level violin will likely cost as much or more than even ...
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FocusGallery: 10 violin Valentines of varying quality and tastefulness
The Strad dutifully presents some card ideas for that special string player in your life
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FocusFrom the archive: an 1823 violin by Nicolas Lupot
These photos and below text were featured in the January 1993 issue of The Strad, along with a biography of Lupot and his part in instigating a French school of violin making
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NewsNew photos: luthier Shlomo Moyal begins work on viol destroyed on Alitalia flight
Viola da gamba belonging to Myrna Herzog starts ‘long interesting journey’ to restoration at Jerusalem workshop
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FocusFrom the archive: Gustav Rivinius on his 1712 Grancino cello
Published in the August 1992 issue of The Strad, this is an extract from an interview with Gustav Rivinius, who two years previously became the first and – to this day – only German to win the International Tchaikovsky Competition