Featured Stories – Page 127
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DebateWith vibrato the question isn't just about more or less, but also about variety of sound
It is a wonderfully expressive tool when used sensitively, but soloists especially should take greater advantage of the various vibrato possibilities, writes violist Hartmut Rohde
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DebateIs playing the viola a different art from playing the violin?
Not so, according to Philip Dukes, who argues that the technical requirements of the instruments overlap considerably and players benefit from studying both
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BlogsIf you want the industry to change, you have to be willing to enact a change yourself
The violinist and co-founder of the Manchester Collective on her musical philosophy and forging new ground in an increasingly conservative music world
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FocusLisa Batiashvili: My Most Memorable Musical Experience
The Georgian violinist recalls memories of a pop superstar and clicking with a superstar conductor and orchestra
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FocusYou can only diversify the audience by having a diverse group of people on stage
Half a century since the New York Phil hired its first black musician, the percentage of black and Latino players in US orchestras remains woefully low. But some organisations are taking action towards inclusivity
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Blogs9 ways for musicians to think like top athletes
Carole Talbot-Honeck earned her Masters degree from The University of Ottawa studying the psychological prerequisites for optimal musical performance. Here, she outlines a number of sporting attitudes, which are of equal value to musicians
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FocusTechnique: Two-octave scales and arpeggios
An essential way to improve tone and intonation by Michael Frischenschlager, professor emeritus of violin at the University of Music and Performing Arts, Vienna
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Blogs‘Just think of love’: Vadim Gluzman on Leonard Bernstein's Serenade after Plato's 'Symposium'
As the violinist heads to London to perform the work with the BBC Symphony Orchestra, he tells The Strad what is special about this violin concerto in all but name – and of his surprise that it is not programmed more often
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FocusBuilding a string sound from scratch at the Estonian Festival Orchestra
In the Lucerne Festival Orchestra, Claudio Abbado established an ensemble with its own sound character in just a few years. How can an orchestra, and its signature string section, form a distinctive sound in such little time? Paavo Järvi’s orchestra project at the Pärnu Music Festival in Estonia offers some ...
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FocusMinimalism for strings: An overview with performance advice from the Kronos Quartet and others
Following the emergence of minimalist music in 1960s America, some of the style’s most enduring works have been written for strings, among them Steve Reich’s Different Trains. Pwyll ap Siôn finds out how performers overcome the technical and psychological challenges of playing this music
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BlogsLearning how to lose control is Paganini's gift to violin music
With his new album of music by and inspired by Paganini out today, Michael Barenboim writes that the great violinist’s legacy as a composer is the invention of a specific kind of headlong virtuosity
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FocusJan Vogler on performing Tchaikovsky’s Rococo Variations
For the German cellist, imagining how Tchaikovsky might have viewed the rococo period was key to reinterpreting his Rococo Variations
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FocusTechnique: Viola vibrato, and how flexible joints and a keen ear can enhance your expressive range
Roger Tapping, violist of the Juilliard Quartet, on the faculty of the Juilliard School, and formerly New England Conservatory, gives a lesson on improving vibrato, particularly for violists
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FocusConquering performance nerves: starting well and keeping tempo on track
Brian Hodges answers student questions on coping with stage fright
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FocusProfessional string players reveal their favourite accessory
We asked six string musicians to name the one most treasured addition to their kit – though for some it was doing without something which made the difference
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FocusDouble stopping on the cello: How to play passages of 3rds and 6ths with more fluidity
Technique advice, exercises and repertoire examples from Lionel Handy, cello professor at the Royal Academy of Music in London, Birmingham Conservatoire and Winchester College, UK
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BlogsConquering performance nerves: sweaty hands, losing bow grip
Brian Hodges answers student questions on coping with stage fright
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FocusNatural playing on violin and viola, inspired by the Alexander Technique
Exercises to release tension and improve ease of movement when playing the violin by Tomas Cotik, violin professor at Portland State University
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FocusIrvine Arditti's sentimental work: Helmut Lachenmann's Grido
For the Arditti Quartet’s founder and first violinist, Helmut Lachenmann’s String Quartet no.3 Grido contains unorthodox challenges and an unusual sense of passion
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VideoLawrence Power performs Salonen's Pentatonic Étude for solo viola
In this video from the Philharmonia Orchestra, British violist Lawrence Power plays Esa-Pekka Salonen’s Pentatonic Étude. Salonen wrote the piece for Power, who premiered it in 2015.
