Featured Stories – Page 125
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Premium ❘ FeatureInvitation to the Dance: Bach’s Cello Suites
A knowledge of French Baroque dance can open up new ways of approaching and performing Bach’s Cello Suites, argues cellist Ulrich Heinen. In this practical guide, he highlights the many steps and gestures evoked in the works.
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Focus8 ways to improve Baroque performance
Tips from The Strad’s archive on the use of vibrato, bow strokes and rhythmic hierarchy
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ArticleHow I interpret Bach: Tomás Cotik on strings, intonation and vibrato
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist continues his blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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ArticleLife Lessons: Laura van der Heijden
Seven years after winning the BBC Young Musician competition, the British cellist discusses how different forms of music making inspire her
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VideoItzhak Perlman discusses his early days as a musician
In this interview, originally aired in June 2019, Itzhak Perlman discusses his early days as a musician and his battle with polio.
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FocusCasting professional musicians on screen
As the founder of Music in Vision, Kathleen Ross has built a business from supplying professional musicians for on-camera roles. Here she discusses the challenges of introducing instrumentalists to the world of film and TV
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ArticleHow a forgotten chamber masterpiece finally saw the light
A powerfully expressive chamber work by one of the most important British composers of the interwar years failed to make it into print – but why? As Rebecca Clarke’s 1923 Rhapsody for cello and piano is published for the first time, John York, who recorded the piece with cellist Raphael ...
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Focus10 playing tips by violist Lionel Tertis
Sydney Errington, who was to become principal violist of The Hallé, was a student of the great British violist Lionel Tertis in the 1930s. Here, taken from Errington's notebook, are some of the things Tertis told him during his introductory lesson: 1 Feel every note you are performing all the ...
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FeatureSentimental Work: Linus Roth
Weinberg’s Violin Concerto is a work of passionate intensity, as the German violinist found – even though he hadn’t encountered the composer until eight years ago
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FocusPlayers of tomorrow: Shannon Lee
The 27-year-old Canadian violinist, 2nd prize winner at this year’s Sendai International Violin Competition, talks about ambition, motivation and her fear of wardrobe mishaps
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BlogsTomás Cotik: How I interpret Bach
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist presents a new blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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FocusConductor Manfred Honeck on achieving his orchestral string sound
Music director Manfred Honeck has brought a distinctly European flavour to the Pittsburgh Symphony. Gavin Dixon asked him how his time as a violist in the Vienna Philharmonic helped him to become the conductor he is today…
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Premium ❘ FeatureFrom the Archive: December 1909
The pseudonymous ‘L.H.W.’ gives his thoughts on teaching, in an article he might himself call ‘profuse and extravagant in expression’
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Premium ❘ FeatureLights, Camera, Action
As the founder of Music in Vision, Kathleen Ross has built a business from supplying professional musicians for on-camera roles. Introducing instrumentalists to the world of film and TV can be challenging, but, she writes, ensuring that musicians in background parts are convincingly portrayed is well worth the effort
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FeatureWitnesses to the fall
First published in the March 2014 issue to mark 25 years since the fall of the Berlin Wall, nine string players and makers from the East and West sides here reveal the stark contrast between life on either side of the divide
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FocusPerforming entirely by reflex, by cellist Leonid Gorokhov
The Russian musician and Hochschule für Musik und Theater, Hannover professor describes how he trains himself to transcend the physical restraints of playing
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BlogsRecording Bach’s Violin Concertos with John Eliot Gardiner
Kati Debretzeni, leader of the English Baroque Soloists, explains the thought processes behind her recent Bach recording
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FeatureBehind the scenes with the New York String Orchestra
The New York String Orchestra Seminar, one of America’s first orchestral training programmes for young musicians, celebrated its 50th anniversary in December 2018. Bruce Hodges attended rehearsals and concerts of the landmark season
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Blogs11 ways to be a better chamber musician
Violinist, composer and chamber music festival founder Natalie Klouda writes the advice she would like to have been given when she was starting out
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Premium ❘ FeatureA Treasury of Sound
The Royal Danish Orchestra has been adding to its collection of fine stringed instruments for centuries – but there is revolution as well as evolution behind its distinctive string sound, which is unmistakable whatever the repertoire and whoever the conductor, finds Andrew Mellor
