All Regulars articles – Page 61
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Premium ❘ FeatureTechnique: Legato and Lyricism
Ideas to help you grow your sound and articulate every note within each bow
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Premium ❘ FeatureMasterclass: Liisa Randalu on Smetana’s Quartet no.1, ‘From My Life’
Violist Liisa Randalu of the Schumann Quartet gives her perspective on the first movement of the Czech composer’s passionate and dramatic semi-autobiographical work
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Premium ❘ FeatureMaking Matters: In search of the ‘missing link’
Stefan Hersh examines a Tourte-school bow that might provide a connection between the master bow maker’s conventional style and the earlier Cramer-head bows
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Premium ❘ FeatureTrade Secrets: Repairing damaged blocks
A conscientious method that preserves as much information as possible for future restorers
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Premium ❘ FeatureIn Focus: A 1704 cello by Barak Norman
Colin Adamson and Benjamin Hebbert examine an instrument by the English maker
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ArticleProducts May 2020: Polycorde bow
A shape-shifting bow designed to change what a violin can do
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ArticleProducts May 2020: Durod cello endpin
South Korean maker Durod claim their carbon-fibre cello endpins improve the response time of the instrument and help players create a focused, rich and clear sound. They are available in lengths of 520mm and 600mm, with the option to include a hollow or solid brass core. Durod ...
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ArticleProducts May 2020: Meisel Jascha Heifetz violin strings
Described by the maker as an ‘exact copy’ of those used by Jascha Heifetz himself, these violin strings have been licensed by the Heifetz estate. The set comprises a Goldbrokat E string, uncovered gut A and D strings, and a gut G string wound in sterling silver. ...
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Premium ❘ NewsAnalysis: Desperate times, desperate measures
Now that concerts, festivals and physical music lessons have been cancelled for the foreseeable future, how are string players coping in a world without their normal revenue streams?
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Premium ❘ ArticleSoundpost: Letters to the Editor May 2020
A selection of letters The Strad receives each month from its readers around the world: May 2020 issue
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Premium ❘ ArticleMay 2020: Welcome
The Strad’s editor Charlotte Smith introduces the May 2020 issue
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FocusBrahms among the Palms: Postcard from Boca Raton
Florida’s second triennial Elmar Oliveira International Violin Competition brought a classical feast to a part of the world perhaps better known for its beaches and golf retreats, writes Laurence Vittes
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Premium ❘ FeatureFrom the Archive: April 1920
Towry Piper (1859–1925) recalls some of the more unusual habits of violinists, observed during his many years of writing for The Strad
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Premium ❘ FeatureTechnique: Training Musicality
Exercises and advice to help build musical awareness and understanding
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Premium ❘ FeatureMasterclass: Augustin Hadelich on Beethoven’s Violin Concerto first movement - part 2
The German–American violinist considers ensemble, character and line in the first movement of this great Classical work, in the second of two articles
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Premium ❘ FeatureMaking Matters: A Major Sticking Point
Instead of discussing the right way to secure a crack with reinforcements, shouldn’t we try to achieve the strongest possible joint in the first place? Christian Schabbon presents the results of his investigation into different types of glue
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Premium ❘ FeatureIn Focus: An 1804 Viola by Joseph Fischer
Roland Baumgartner examines an instrument by the German maker
