All Regulars articles – Page 63
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Premium ❘ FeatureSession Report: Violinist Johan Dalene makes his recording debut
For his debut album as an exclusive BIS artist, Johan Dalene – teenage winner of last year’s Carl Nielsen International Competition – has not shied away from ambitious and much-loved repertoire. He and producer Jens U. Braun recall the recording process
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FeatureSentimental Work: Jean-Luc Ponty
The French jazz violinist–composer has recorded his 1976 piece ‘Renaissance’ three times – but it’s the original version that remains close to his heart
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ArticlePremiere of the month: Shake, rattle and roll
French composer Jérôme Combier and cellist Eric-Maria Couturier take a solo journey into the underworld
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ArticleLife Lessons: Christian Poltéra
Having the space to breathe is important in more ways than one, says the Swiss cellist
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Premium ❘ ArticleFebruary 2020: Welcome
The Strad’s editor Charlotte Smith introduces the February 2020 issue
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ArticleSoundpost: Letters to the Editor February 2020
A selection of letters The Strad receives each month from its readers around the world: February 2020 issue
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NewsAnalysis: The Business of Selling
Ensuring that crowds continue to flock to classical music concerts relies on a top-notch marketing strategy – and retaining audiences is becoming an increasingly sophisticated discipline
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Premium ❘ NewsCompetitions, Awards and Appointments: February 2020
This month’s competition results, appointments and forthcoming contests
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ArticleNew Products: February 2020
PSET pneumatic positioners; Da Capo music theory game; Kun colour collapsoble shoulder rest
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FeatureBetween two worlds: Postcard from Lviv
The third Oleh Krysa International Violin Competition was the first in its short history to honour Ukrainian musicians with top awards. Tom Stewart reports on an event doing its best to highlight Ukraine’s musical pedigree
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Premium ❘ FeatureTrade Secrets: Notes on cello endpin fitting
A guide to veneer bushing and creating an ‘abrasive reamer’ for making adjustments
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Premium ❘ FeatureMaking Matters: The Sound of Science
Tom Croen reports on a 2019 experiment to discover how much variation in sound can be gained from fingerboard ‘tuning’ – and how alternative materials fare against traditional ebony
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Premium ❘ FeatureTechnique: A 30-minute routine to keep your playing on top form
Ideas to help violinists and violists maintain high technical and musical standards around a busy regime
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Premium ❘ FeatureFrom the Archive: February 1930
In his regular ‘Continental Happenings’ column, the acerbic George Cecil rounds up some of the more unusual string-related news and performances around Europe
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FeatureThe heart of Amadeus: Postcard from Zhuhai
Peter Quantrill hears Mozartians of the future competing in the violin category of the biennial Zhuhai International Mozart Competition for Young Musicians – by the shores of China’s Pearl River
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FeatureSentimental Work: Sheku Kanneh-Mason
For the British cellist, Elgar’s Cello Concerto brings back a wealth of memories from his earliest years studying the instrument – and of trying to play like Jacqueline du Pré
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FocusDouble bassist Christine Hoock on sound and phrase
The professor of double bass at Mozarteum University Salzburg and president of the International Sperger Society for Double Bass shares her wisdom in this month’s Technique article
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ArticlePremiere of the month: Márton Illés’s Én-kör III
Patricia Kopatchinskaja to perform new work requiring ‘power, precision and virtuosity’
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Premium ❘ ArticleJanuary 2020: Welcome
The Strad’s editor Charlotte Smith introduces the January 2020 issue



























