More teaching – Page 26
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ArticleViolinist Itzhak Perlman on vibrato
'One of my pet peeves is vibrato, the most underused tool for music-making' Violinist Itzhak Perlman, who is interviewed in The Strad's July 2014 issue, talks about vibrato. Subscribe to The Strad or download our digital edition as part of a 30-day free trial. To purchase ...
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FocusTeaching a stringed instrument you have never played before
What do you do if you're asked to teach a stringed instrument that isn't the one you play? ‘Don't panic!' That's the first rule, according to the experts that Ariane Todes asked
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Premium ❘ DebateWhy do so few string players start out learning the viola?
The UK may be producing some talented viola players, but violist Louise Lansdown cannot understand how, when the instrument is under-supported at grass-roots level
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Premium ❘ FeatureEngaging uncommitted parents with their child's music lessons
Teacher Talk: your string teaching questions answered by our panel of experts
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BlogsMelancholy and perfectionism: South Korea's love of Western classical music
German violinist Viktoria Elisabeth Kaunzner reports on her experiences teaching in South Korea for the past three years
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BlogsRussian violin teacher Yuri Yankelevich on how to achieve quick reflexes in your playing
Yankelevich believed that violin playing is based on key physiological principles. In preparing the English translation of his works, Masha Lankovsky takes a look at some of his suggestions
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BlogsClass and race should not be barriers to a classical music education
American violinist Tai Murray introduces some of the themes of her talk on ‘Class, Race and Classical Music' with political activist Candace Allen at the English Speaking Union next week
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FocusTackling the difficult topic of student-teacher relationships
Learning a stringed instrument requires an emotional and mental bond between student and teacher, but what happens when the boundaries blur? Hazel Davis investigates
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FocusBringing singing to violin technique: Charles-Auguste de Bériot
The Belgian pedagogue, who was born on this day in 1802, combined elements of the human voice with the virtuosity of Paganini in his violin treatise. Robin Stowell considers his Méthode de violon alongside the Violinschule by Joseph Joachim and Andreas Moser The violin playing ...
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Blogs
The art of distraction is more effective than repetitive practice
Repeating a difficult passage over and over again can lead to stress and tension. Instead distract your mind at the point of execution to feel relaxed as you play, writes cellist Thomas Demenga
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Blogs10 habits of successful musicians
American cellist David Finckel embarks on a series of seminars – entitled Being a Musician – at Stony Brook University, New York on 3 February. Here, he identifies the important habits of those musicians who have built and maintained successful careers
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FocusAsk the Experts: finding a better instrument on a budget
Strad readers submit their problems and queries about string playing, teaching or making to a panel of experts
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DebateAre the achievements of El Sistema the tip of the iceberg?
The results of Sistema-based social programmes are almost impossible to quantify – but as Jonathan Govias argues, the potential of ‘the system' is boundless
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FocusDrawing the line with student–teacher relationships
A string player discusses the contentious issue of student–teacher relationships in and out of the conservatoire. Where does responsibility lie?
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FocusDo you encourage viola students to bring chamber music parts to lessons?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusHow early can the Bach Cello Suites be introduced to cello students?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusHow do you encourage students to develop their own musical ideas?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusShould crescendos always be played on an up bow and decrescendos on a down bow?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusHow do you help students avoid stage fright?
Teacher Talk: your string teaching questions answered by our panel of experts
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FocusExpert advice on bow hold, bow changes and collapsing top finger joints
Teacher Talk: your string teaching questions answered by our panel of experts