Gallery – Page 5
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FocusFrom the archive: a 1792 viola by Venetian maker Anselmo Bellosio
In this extract from an article in the June 1992 issue of The Strad, John Dilworth takes a look at a small viola by the last of the great Venetian makers
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FocusFrom the archive: a c.1700 cello by Pieter Rombouts from the workshop of Hendrick Jacobs, Amsterdam
This cello was featured in a two-part study by John Dilworth of Dutch maker Hendrick Jacobs in the September and October 1991 issues of The Strad. The following is an extracted from that article
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GalleryFrom The Strad Calendar 2018: Stradivarius 'Chigiano' cello, 1680
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this cello from the Fondazione Accademia Chigiana collection featuring in December. Text by John Dilworth
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GalleryFrom The Strad Calendar 2018: Stradivarius ‘Lam, ex-Scotland University’ violin, 1734
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from the Lerner-Lam family collection featuring in November. Text by John Dilworth
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GalleryFrom the archive: double basses by Montagnana, Rocca, Guadagnini and Panormo
These photos were published in the February 1991 issue of The Strad in a focus on the double bass, including a interviews with Barry Guy, and Samuel & Barry Kolstein, a profile of the Ouchard bass bow making workshop, and a tribute to Towry Piper whose 1911 articles for The ...
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GalleryFrom The Strad Calendar 2018: Violin by Andrea Amati, c.1566
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from a private collection in Germany featuring in October. Text by John Dilworth
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FocusFrom the Archive: the 1729 ‘Récamier’ Stradivarius from the January 1991 issue of The Strad
Mischa Elman’s violin was featured alongside an article marking his centenary, extracted from the book Mischa Elman and the Romantic Style by Allan Kozinn
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FocusMaking a carbon fibre bow in 10 steps – photo story
Founded in 1999, Arcus has developed a reputation for making lightweight, durable bows from non-traditional materials. Company director Bernd Müsing explains how a composite bow is made, from initial design to first hair fitting
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GalleryGallery: Violin Society of America 2017 convention
The Violin Society of America’s 45th annual convention took place in Arlington, Virginia, on 9-11 November. Photographs by luthier Christopher Jacoby, editor of the VSA members’ magazine The Scroll 1. John Montgomery showing off the 1699 ‘Castelbarco’ Stradivari cello in the Library of Congress, during the Lottery Preconvention ...
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GalleryFrom The Strad Calendar 2018: Stradivarius viola, 1715
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola from the Russian State Collection featuring in September. Text by John Dilworth
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GalleryFrom The Strad Calendar 2018: Viola da gamba by Girolamo Amati, 1611
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola da gamba from the Russian State Collection featuring in July. Text by John Dilworth
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GalleryFrom The Strad Calendar 2018: Violin by Lorenzo Storioni, 1770
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin featuring in May. Text by John Dilworth
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GalleryFrom the archive: the violins of Georges Chanot
These photos were published in the July 1989 issue of The Strad, along with an article by Kenway Lee, from which the text below is extracted
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FocusFrom The Strad Calendar 2018: Giuseppe Guarneri ‘del Gesù’ violin, 1742
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin featuring in April. Text by John Dilworth
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FocusFrom the archive: the Andrea Guarneri ‘Conte Vitale’ viola, 1676
These photos were published in the The Strad’s June 1989 alongside an article by John Dilworth, from which the below text is extracted
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FocusFrom The Strad Calendar 2018: Giuseppe Guarneri ‘filius Andreae’ cello, c.1710
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, starting in January with this cello. Text by John Dilworth
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NewsPhoto gallery: Birmingham Conservatoire opens its new buildings
First purpose-built music college to be constructed in the UK since 1987 will also be the ‘last ever’ according to conservatoire principal, cellist Julian Lloyd Webber
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FocusFrom the archive: a 1748 Guadagnini cello
These photos were published in the November 1988 issue of The Strad along with an interview with the cello’s owner, Gilberto Munguía
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GalleryFrom the archive: the 1717 Montagnana viola once belonging to Lionel Tertis
These photographs were published in the September 1988 issue of The Strad. The following text is from the article they accompanied, in which Tully Potter examines the recent lineage of the instrument, including interviewing current owner Roger Chase
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GalleryFrom the Archive: Basso Di Camera by William Booth Snr, 1821
These photographs of a chamber bass were published in the March 1988 issue of The Strad. The following text is extracted from the accompanying article: