All Featured Stories articles – Page 61
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Premium ❘ Focus‘Some of the most otherworldly violin lines I can imagine’ - Jack Liebeck on Prokofiev’s Violin Concerto no.1
Prokofiev’s First Violin Concerto provided some early inspiration for the British violinist – as well as a crash course in some fast, efficient playing
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FocusHow I warm up: violist Maxim Rysanov
The Russian-born viola player gives an insight into his detailed warm-up regimen
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Focus‘It’s always a reward to be on stage’ - Maxim Vengerov on 40 years of performance
Ahead of a celebration concert with the Oxford Philharmonic Orchestra, the violinist reflects on his impressive career in the spotlight as a child, including the pressures, rewards and lessons learnt from a lifetime of performance
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Premium ❘ FocusOpinion: A teenage cellist on spreading the love for classical music
Megan Clarke, a 16-year-old cellist in the National Youth Orchestra, is on a mission to communicate her love of classical music to other young people
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Premium ❘ FeatureSession Report: A Precious Gift - Playing Britten’s viola
Benjamin Britten’s 19th-century viola was a present to him from Frank Bridge. Violist Hélène Clément speaks to Carlos María Solare about recording an album featuring music by both composers on which this remarkable instrument takes centre stage
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Focus10 tips on maximising tone quality & projection
Advice on projecting your best sound from over 130 years of The Strad's archives
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FocusHow to produce a strong, uninhibited sound without pressure, by cellist Joel Krosnick
The former Juilliard Quartet cellist explained to Laurinel Owen how to effectively transmit energy from your body to the instrument in 2005
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Blogs‘Art has the ability to make one look at the world from a different perspective’ - cellist Trey Lee
The cellist and artistic director of Musicus, a Hong-Kong based organisation which promotes cross-cultural collaboration through performances, speaks about musical outreach, exploring new repertoire, and overcoming the challenges of travelling with a cello
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FocusSinging during practice can help improve sound and characterisation
Cellist Laurence Lesser suggests that learning to listen to your voice constructively isn't easy, but it helps to set musical feeling directly into motion
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Premium ❘ Feature'The better my body is working, the more efficient I can be' - Elena Urioste: She’s like a rainbow
The award-winning violinist Elena Urioste has many strands to her career. She speaks to Toby Deller about making her BBC Proms debut, yoga, chamber music with friends, and how she kept the music alive during lockdown
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Premium ❘ Focus‘When Mandela asked how I was, I admitted I was nervous’ - Maria Kliegel on Hommage à Nelson M.: Sentimental Work
The German cellist recalls the creation of Hommage à Nelson M., inspired by the life of Nelson Mandela – and the long road to performing it in front of the man himself
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FocusHow can violinists create a personal sound?
Once upon a time, violinists just wanted to get as close to Heifetz's sound as they possibly could. But now that golden standard no longer applies, Jessica Duchen asks, how do the stars of today mark themselves out as special?
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Blogs’After breaking the speed limit a few times, we eventually arrived hot, sweaty and stressed’ - more wedding gig disaster stories
At the time of year when many string players are spending their weekends performing at weddings, we share the best wedding gig disaster stories from The Strad’s readers and followers
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ArticleCellist Steven Isserlis on using vibrato to improve phrasing
Steven Isserlis gives a cello masterclass on Schumann's Fantasiestücke op.73, recorded at the International Musicians' Seminar, Prussia Cove. The student is Ani Kalayjian
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Focus10 things you need to know about vibrato
The following quotes, taken from the pages of The Strad over the past 100 years, offer a fascinating glimpse of the changing attitudes and approaches towards this most subjective and controversial area of a string player's technique
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Premium ❘ Focus‘It’s not about you; it’s about the music’: Helena Rathbone’s life lessons
The Australian Chamber Orchestra’s British principal violinist considers the pivotal role of chamber music throughout her career
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ArticleCellist David Finckel on vibrato
Cellist David Finckel introduces the subject of vibrato as part of a series of video demonstrations on cello technique. Vibrato, he says, 'connects the listener to the player's innermost feelings about the music. It should be something that reinforces the music, not something that is painted on top ...
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Premium ❘ FeatureMusicians and exercise: Can a keep fit regime make you a better string player?
Violinist, researcher and consultant Berenice Beverley Zammit explains how physical exercise and simulation of the live concert environment can help string players and other musicians perform more efficiently under pressure
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ArticleViolinist Ray Chen gives left-hand pizzicato lesson
Violinist Ray Chen gives a video lesson on mastering left-hand pizzicato, as demonstrated in Paganini's Caprice no.24.
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Premium ❘ FeatureFormer Kronos Quartet cellist Joan Jeanrenaud on pizzicato techniques
Pizzicato style is rarely analysed, but is so vital in modern repertory says the artist, who performed with the contemporary quartet for 20 years
