All Featured Stories articles – Page 61
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Premium ❘ FeatureTwo Shapiros: musical doubles
Though unrelated by birth, US violinists Eudice Shapiro and Frances Shapiro (later Magnes) forged parallel careers which provide a fascinating insight into the lives of female musicians during the mid-20th century, writes Tully Potter
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FocusA glimpse into the lives of two mid-century female violinists – both called Shapiro
Though unrelated by birth, US violinists Eudice Shapiro and Frances Shapiro (later Magnes) forged parallel careers which provide a fascinating insight into the lives of female musicians during the mid-20th century, writes Tully Potter
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BlogsTatty Theo and the Brook Street Band: how we stayed on track during the pandemic
Cellist Tatty Theo illustrates how the Brook Street Band managed to overcome the challenges of functioning in different countries during the pandemic, thanks to modern technology and a well-timed grant from the Continuo Foundation
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BlogsIn Our Shoes: What does it mean to be a woman in music in 2022?
Ruth Hallows examines the ways in which women in music are breaking societal expectations in a continued move towards equality
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Blogs‘Classical music is full of women, but policy and decision-making positions are still male dominated’: working mothers in music
On International Women’s Day, violinist Gwendolyn Masin examines the struggles faced by working mothers, calling for collective empathy and support within the industry and beyond
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FocusSentimental Work: Jennifer Pike
For the British violinist, Szymanowski’s Violin Sonata in D minor brings back fond memories of old holidays, family reunions and a three-concert marathon in 2017
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Focus‘Slightly grotesque but always so full of colour’- Laura van der Heijden on her latest recording
Cellist Laura van der Heijden speaks to Tom Stewart about her latest recording of Czech and Hungarian music
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FocusA learned crowd: Postcard from Cambridge
The Cambridge Music Festival marked its 30th anniversary in the unusual format of two instalments during 2021. Toby Deller attended three performances during the autumn celebrations
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FocusDeveloping arm, wrist and finger vibrato
Rok Klopčič takes a look at different types of vibrato through the eyes of the great teachers and players - from the June 2003 issue
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Focus‘You are forced to listen when there is no conductor’
Jacqueline Vanasse examines how performing without a conductor encourages individual players to listen and take responsibility, in this extract from the March 2022 issue
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FocusWhy can't players get vibrato right?
Vibrating need not compromise purity of tone if it's done tastefully, says Tully Potter, who takes to task those who overplay, misplay or completely disown it. From October 2009
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Blogs‘The interweaving of violoncello and orchestra are indeed wholly ravishing!’: Schumann’s Cello Concerto
Conductor Peter Manning presents the history and analysis of Robert Schumann’s Cello Concerto, composed in only two weeks and never performed publicly in the composer’s lifetime
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FocusViolinist Lihay Bendayan: Fourth finger vibrato
In this extract from the March 2022 issue, violinist Lihay Bendayan provides tips on how to improve a weak fourth finger vibrato
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Blogs‘It doesn’t have to be popular. It just has to be’: Gwendolyn Masin on honesty and art
Classical music doesn’t need to succumb to levels of mediocrity in order to be ‘popular’ or ‘relevant’. Instead, audiences should be open-minded enough to enjoy the simplicity of great music’s existence, argues violinist Gwendolyn Masin
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Focus‘The most perfect music ever written’: Violinist Leonidas Kavakos on recording Bach’s Solo Sonatas and Partitas
’Bach’s music is a reflection of life, and life is not always serious – there is also humour and dancing, and uplifting moods to counter the darker ones.’
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BlogsHow I write for strings: Composer Dani Howard
Composer Dani Howard shares how her roots as a cellist inform her latest compositions for strings
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Premium ❘ Article‘Concerto performers especially seem guilty of the “speed trend”’: Letters to the Editor March 2022
A selection of letters The Strad receives each month from its readers around the world: March 2022 issue
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Premium ❘ FeatureColeridge-Taylor violin and chamber music: From fame to footnote
Despite his prolific output, the works of British composer Samuel Coleridge-Taylor have been performed relatively infrequently in the century following his death. Tatjana Goldberg explores his chamber and violin music, particularly the Violin Concerto, and his fruitful artistic partnership with pioneering US violinist Maud Powell
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Premium ❘ FeatureLeonidas Kavakos: Deep thinker
For Leonidas Kavakos, recording Bach’s Solo Sonatas and Partitas has been the culmination of a 30‑year artistic journey and, as the violinist tells Charlotte Smith, the works have a pertinent message for our troubled times
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Premium ❘ FeatureConductorless orchestras: The leading edge
For those ensembles willing to take the plunge, performing without a conductor can lead to a greater sense of collaboration, fulfilment and, ultimately, responsibility. Jacqueline Vanasse hears from some of the string players involved in such groups
