Many voices, one sound: orchestral blending

LSO Noseda Barbican 260226 1303

How is it possible to create a seamless yet distinctive orchestral string sound? Players from some of the world’s leading orchestras speak to Peter Somerford about the techniques, traditions and listening skills that shape an orchestral identity

When a world-class symphony orchestra performs, the synchrony within the string sections isn’t just audible – you can see the players using the same part of the bow, the same length of bow strokes and the same bow speed. Perfectly matched articulation and unified phrasing, colour and depth of sound are what we expect. But how do players in a section produce such a united and blended sound while still allowing for their individual colour and expressive voices?…

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