COPY OF:Technical – Page 19
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Focus4 tips on using antiquing methods to give an instrument a warm look
John Simmers shares his wisdom on finding a balance between antiquing and not antiquing
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NewsVSA honours instrument and bow makers in biennial competition
Violin Society of America convention in Cleveland reveals winners in violin, viola, cello, bass, quartet and bow categories
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FocusCommissioning a new instrument – a guide for players
Commissioning an instrument can be an exciting prospect, but as a creative journey it can have its ups and downs. John Milnes considers how both player and maker can keep each other happy.
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NewsSpanish luthier Ramon Pinto has died at 89
He was director of the Casa Parramon stringed instrument workshop in Barcelona for over 40 years and founded the Spanish Master Luthiers Association
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NewsWinning luthiers announced at Cremona Triennale
The International Violin Making Competition announces winners in categories for violin, viola, cello and double bass
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VideoVSA Oberlin Acoustics Workshop 2015
Each year for one week, the international violin making community gathers at Oberlin to discuss the latest findings in acoustics under the guidance of researchers and renowned makers. Tying in with the new Making Matters article in our October issue, on the Oberlin Bow Making Workshop and its project ...
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FocusHow do you copy a Kittel?
Nikolai Kittel remains one of the most enigmatic bow makers, so when the assembled talents at this year’s Oberlin workshop set about making copies, they uncovered a host of interesting points, as Robert Ray explains
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NewsNew type of wood material might pose fresh possibilities for string players
The material could be a competitor to steel or titanium alloys
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VideoReplicating a Benoit Joseph Boussu
In this video, violin maker and researcher Geerten Verberkmoes puts the finishing touches to a replica of a violin by Benoit Joseph Boussu, using construction methods most likely employed by the 18th-century French luthier.
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VideoViolin maker Guy Rabut featured in Esquire video series 'Handmade'
This video, featuring New York based violin maker Guy Rabut, was made for Esquire.com’s ‘Handmade’ series in 2017. Director & Cinematographer - Josh K. Brede Creative Producer - Travis Gorzelsky Executive Producer - Anna Jimenez Producer - Christian Nilsson Associate Producer - Sara Cogan Editor - Travis Lee
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Premium ❘ FeatureAsk the Experts: How to look after your bow
Four bow makers advise on how best to look after a new bow to maintain both its performance and potential resale value
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FocusTeaching lutherie the Red Wing way
Instrument repair requires great attention to detail, knowledge and patience – and teaching new students is no different. Here lutherie pedagogue Steve Rossow gives some tips acquired from his years of tutoring at Minnesota State College Southeast
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FocusA step-by-step guide to keeping your bridge healthy
Tuning your instrument will naturally pull your bridge out of position, so you need to overcome your fear of touching it – as well as knowing when professional help is needed, writes Adam Pelzer
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FocusRe-rediscovering the lost secrets of classical varnish
When Koen Padding died in 2012, the violin making community was not just bereft at losing a loyal friend but also thrown into confusion about whether his varnish making knowledge, on which many relied, was gone with him. As a collection of his writings is republished, we take a look ...
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FocusDo violin making competitions stifle originality in favour of perfection?
Peter Somerford asks what luthiers should do to maximise their success when entering a competition, and whether winning really is everything
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VideoThe most common types of violin makers, ep.2
Oslo based violin maker Jacob von der Lippe’s second compilation of violin maker types, from accident prone to always dusty. For the first video, click here
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FocusNew materials: Comparing violin tops made from various composites
Tim Duerinck reports on a research project investigating the possibilities of flax, carbon, aramid and more in violin making, while describing the surprisingly simple methods luthiers could use to create their own
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FocusCoruss synthetic bow hair
According to the manufacturer, Coruss synthetic bow hair matches natural horsehair in blind tests for tone and articulation. Compared with natural alternatives it offers greater durability and resistance to very humid or dry conditions, doesn’t degrade when stored for long periods of time, and uses no animal ...
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FocusHeart and soul: Anima Nova adjustable carbon fibre soundpost
An adjustable, carbon-fibre alternative designed to offer enhanced control to the luthier and superior sound to the player
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FocusMakers reveal their favourite technical solutions to common lutherie problems
Although new items for luthiers are always appearing on the market, violin making involves many tasks for which there is no perfect tool. Here, six makers describe the devices they’ve created for themselves
