Recording Reviews – Page 27
-
Review
Gabriele Pieranunzi: Paganini
Chamber music displays another side to the virtuoso violinist–composer
-
Review
Mandelring Quartet: Ravel, La Tombelle
An exploration of the Germanic roots of the French string quartet
-
Review
Fenella Humphreys: Sibelius, Josephson
A concerto with strength of spirit plus a heavenly journey postscript
-
Review
Théotime Langlois de Swarte: Proust, Le Concert Retrouvé
An exquisite musical madeleine to be enjoyed again and again
-
Review
Elan Quintet: Onslow
Attractive and lyrical playing in latest volume of late Classical quintets
-
Review
Alina Ibragimova: Paganini
Lockdown recording yields atmospheric communing between player and violin
-
Review
Aris Quartet: Beethoven, Resch
An intense, tightly wound ‘Rasumovsky’ plus expressive contemporary response
-
Review
Marie Stockmarr Becker: Bach
Expressive, sweet-toned playing especially in the slow movements
-
Review
Juilliard Quartet: Beethoven, Bartók, Dvořák
Classic quartet programme to celebrate the birthday of a refined ensemble
-
Review
Pablo Ferrández: Rachmaninoff, Falla, Granados, Casals
Soulful Spanish–Russian fusion in a highly successful mainstream debut
-
Review
Patricia Kopatchinskaja: Pierrot lunaire
Not just a violinist – PatKop’s singing alter ego is extraordinary
-
Review
Alessio Pianelli: A Sicilian Traveller
Spirited arrangements from an innovative and idiomatic cellist
-
Review
Nils Mönkemeyer: Vivaldi, Rolla, Tartini, Paganini, Sciarrino
Inventive viola arrangements the Red Priest would surely have enjoyed
-
Review
Violeta Vicci: Mirror Images
A remarkable concept album by a unique and imaginative solo performer
-
Review
Viktoria Mullova: Beethoven
A bright, fresh ‘Spring’ characterises violinist’s second Beethoven outing