Playing
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FeatureRichard Tognetti: Life Lessons
The Australian violinist on Crowded House, ‘classical’ music and the importance of the Antipodean perspective
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Feature
Double firsts: Postcards from Moscow and St Petersburg
At this year’s quadrennial International Tchaikovsky Competition, the judges awarded the $30,000 first prize in both the violin and cello categories. Tim Homfray attended the violin section in Moscow, while Andrew Mellor visited St Petersburg to hear the cellists – and both were impressed by what they saw ...
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Masterclass: Daniel Müller-Schott on Franck Violin Sonata (Cello Version)
The German cellist looks at the importance of connection, colour and line in the work’s third movement
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From the Archive: October 1939
The Strad responds to the declaration of war on 3 September with advice on how cellists can do their bit by programming feel-good standards for troops and civilians
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Feature
Sentimental Work: Boris Kuschnir on Mozart Violin Concerto no.4
For the Austrian violinist, Mozart’s Violin Concerto no.4 in D major K218 brings back fond memories of David Oistrakh – and a less salubrious recollection of the Tibor Varga Competition
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Blogs
5 reasons why I love playing viola transcriptions
To tie in with the release of The Tale of Two Violas, Peter Mallinson, one of the disc’s two violists, shares his insights into the advantages of playing transcriptions
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Focus
'Every bow movement should be calculated' - Aaron Rosand
The American maestro discusses the need for relaxation and finesse for good tone production in a 2007 article for The Strad
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A teacher for all
Kató Havas, the celebrated and much-loved Hungarian violinist and pedagogue, died on 31 December 2018 aged 98. Five former colleagues and students remember her important and generous influence on their own playing and teaching
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7 things to remember when buying a bow
Bows, for so long seen as mere accessories, are increasingly attracting serious investors, writes Femke Colborne
