More teaching – Page 17
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Blogs5 steps to help save music education in the UK
Rob Adediran, executive director of the London Music Masters education charity, comments on the #SaveOurMusic campaign led by a group of LMM alumni and asks, ‘What can we do to save music for the next generation?’
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FocusLife Lessons: Albena Danailova
One of three Vienna Philharmonic concertmasters, the Bulgarian violinist talks about New York street jazz and the musical impact of the internet
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Video‘With Nicky’ 7: Back to More Basics, Left Hand Part II
After a few very busy weeks practising, Nicola Benedetti presents Back to More Basics Left Hand Part 2. She says: ‘Before you watch this week’s video, I’d really encourage you to revisit Back to More Basics Left Hand Part 1 as this week is a continuation from what we were ...
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FocusElicia Silverstein's 5 tips for approaching gnarly contemporary works
The American violinist gives an insight into her strategy for getting her head, and fingers, around tough new repertoire
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FocusShould string teachers use fingerboard stickers for beginners?
Three string teachers debate the age-old question: should stickers be used on the fingerboard when teaching a beginner pupil?
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Focus5 tips for practising effectively from Chloë Hanslip
Tieing in with her new CD of Beethoven sonatas, the violinist shares a few insights
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Video‘With Nicky’ 6: Back to More Basics; Left Hand part 1
This week on her journey of video tutorials, Nicola Benedetti is going back to more basics focusing on the left hand, taking us through what she considers to be one of the most sacred, basic and life changing exercises for her: Schradieck Number 1. She says: ‘It’s not the fact ...
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Video‘With Nicky’ 5: Equipment
This week on her video journey, Nicola Benedetti is talking all things equipment: strings, shoulder rests, chin rests, her bow, her beautiful pegs and the violin itself. She also gives us a glimpse inside her violin case. She says, ‘Equipment is something that I have certainly obsessed over a lot ...
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BlogsTechnique can be developed, but musicianship is inbuilt, says violist Rivka Golani
In this article from 2016, Toby Deller paid tribute to the pioneering musician and teacher as she celebrated her 70th birthday
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FocusArabella Steinbacher's top 5 practice tips
The German violinist shares her personal favourite practice habits
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BlogsThree top tips for improving performances with meditation techniques
Violist Matthew Jones discusses the ways in which meditation and mindfulness can help performers
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FocusFrom the archive: Technique or tone?
This article from The Strad, September 1954, argues that the trend among students of pursuing mechanical brilliance at the expense of beauty of tone is misguided
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Focus3 views on developing a positive approach to learning an instrument
Three musicians share their ideas, developed from years of teaching experience
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FocusPinky promise: the Pinky Hold bowing aid
By helping to anchor a student’s little finger in place on the heel of their bow, the Pinky Hold is designed to avoid stiffness and encourage the development of muscle memory. Made of soft, hypoallergenic silicone and available in a range of colours, it weighs 3g and ...
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FocusPostcard from Colorado
At this year’s Aspen Festival and School, an array of leading performers rubbed shoulders with hundreds of enthusiastic young musicians. Bruce Hodges soaked up the clear mountain air
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FocusFour Paul Rolland exercises
Nancy Kredel describes some of the simpler actions devised by pioneering pedagogue Paul Rolland, our November 2018 issue cover star
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Focus6 tips for smooth bow changes
Advice on smooth and inaudible bow changes at the tip and the heel from The Strad's archives
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FocusPaul Rolland's tension-free philosophy
Pioneering pedagogue Paul Rolland formulated a groundbreaking approach to string teaching through his University of Illinois String Research Project in the late 1960s. Charlotte Smith investigates the legacy of his findings, 40 years after his death
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VideoInterpretation Class with Benjamin Zander
In this video, violinist Yasmin Myers takes a masterclass with Benjamin Zander, musical director of the Boston Philharmonic Orchestra, on Tchaikovsky’s Violin Concerto.
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Premium ❘ FeatureMasterclass: Dittersdorf Double Bass Concerto, K172
Berlin Philharmonic bassist Edicson Ruiz advocates Viennese tuning and a period bow to bring out the best in this sonorous Classical work
