Lutherie – Page 36
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FocusThe ‘Amici Bernardi’ Stradivari sitting at the heart of West Sussex’s cultural life
With a price seemingly out of reach at £1.2 million, Andrew Bernardi shares how he convinced a group of investors to help acquire the violin to bring cultural enrichment to audiences in West Sussex, the UK and abroad
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FocusStick your neck out: the pros and cons of adjustable necks
In this extract from the August 2021 issue, Joseph Curtin discusses how he experimented with adjustable necks, progressing from the various changes made in connecting an instrument’s neck to its body since the Baroque era
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Focus‘Makers should pay attention to these three modes’ - Joseph Curtin on violin acoustics
In the August 2021 issue, Joseph Curtin examines the evolution of neck setting. Twelve years ago he looked into a violin’s acoustic behaviours, and how its signature ‘modes’ indicate its sound and response
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Premium ❘ FeatureViolin modal analysis – part two: Good vibrations
In the second of a two-part article from July 2009, Joseph Curtin continues his investigation of the low-frequency resonances that influence a violin’s acoustic behaviour
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Premium ❘ FeatureTrade Secrets: Making a martelé button
A simple method for adding this small detail to your bows
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Premium ❘ FeatureMy Space: Gertrud Reuter
The luthier’s workshop, based in Basel, Switzerland, contains furniture from the Paris firms of Caressa & Français, Maucotel & Deschamps, and Daniel Moinel
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Premium ❘ FeatureMaking Matters: Something in the air
Steve Sirr and John R. Waddle use CT scans to examine the internal air volume of 20 Cremonese violins, and make a surprising discovery about the soundpost position
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ReviewBook review: Monograph of the Antonio Stradivari Cello c.1690 ‘Barjansky’
Florian Leonhard reviews an extensive study of the famous cello, including dendrochronology, CT scans and posters
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Premium ❘ FeatureRecording arching profiles: Ahead of the curve
Recording the archings of instruments is one of the most difficult areas of violin making and restoration. Charline Dequincey describes a method using dental compound which is accessible to anyone, and gives high-quality results
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NewsPhilharmonie de Paris announces lutherie competition
The contest will be held next January for students and professional instrument makers
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FocusViolin making at Xinghai Conservatory of Music
In this extract from the July issue, Sisi Ye examines one violin making school in China teaching the art of lutherie to young people
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NewsNew study reveals the wood treatments used by Stradivari, Amati and Guarneri
The report reveals how the luthiers changed the molecular structure of the spruce used for instrument tops
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Premium ❘ FeatureIn Focus: An 1865 violin by Samuel Nemessányi
Zoltán Délczeg details an instrument by a maker considered to be the most famous in Hungarian history
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Premium ❘ FeatureTrade Secrets: An easy system for making a template and a mould
A method to create classical forms inspired by the work of the Cremonese masters
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Premium ❘ FeatureMy Space: Jamie Marie Lazzara
The luthier’s workshop, based in Florence Italy, is just six square metres and was used in the filming of Hannibal
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Premium ❘ FeatureMaking Matters: Thank you for sharing
CT scanning of instruments is becoming more and more commonplace – so why is it so difficult to get hold of the data? Harry Mairson and Paolo Bodini enter a plea for CT information to be made more accessible to luthiers and researchers
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ArticleA family tree of Italian violin makers
This illustrated representation of violin making in Italy first appeared in The Strad’s August 1891 issue
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NewsSheku Kanneh-Mason loaned 1700 Gofriller cello
The instrument ‘presents a kaleidoscope of tonal qualities’ and ’has an uncanny capacity to respond’ according to the cellist
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Premium ❘ FeatureTrade Secrets: Making a single-use mould
A method that can be used when making one-off instrument commissions
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Premium ❘ FeatureMy Space: Jan & Matthijs Strick
The luthiers, based in Brussels, Belgium, work in what they believe is the oldest workshop in Europe
