All Lutherie articles – Page 58
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FocusIn focus: the 1736 ‘Cessole’, ‘Teja-Ferni’ Guarneri ‘del Gesù’
Although Guarneri ‘del Gesù’ is best known for his wild, unruly later masterpieces, this 1736 violin reveals his softer side, as Carlo Chiesa explains in this focus on a Strad poster instrument first published in the July 2010 issue
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FocusDragonetti’s Gasparo da Salò double bass and its seismic effect on English lutherie
The importance to English bass making of the great Italian double bassist Domenico Dragonetti has been underestimated. Bass makers Thomas Martin, Martin Lawrence and George Martin reveal how the musician and his Gasparo da Salò instrument had a direct influence on London’s luthiers
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GalleryFrom The Strad Calendar 2018: Stradivarius 'Chigiano' cello, 1680
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this cello from the Fondazione Accademia Chigiana collection featuring in December. Text by John Dilworth
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FocusFrom the archive: Rivka Golani talks about her Otto Erdesz viola
These photographs of a cutaway viola by Otto Erdesz appeared in the May 1991 issue of The Strad alongside an interview with Israeli violist Rivka Golani, who still plays the instrument to this day. An extract of the article by Mark Pappenheim is below
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FocusFrom the archive: Yehudi Menuhin discusses his violins, including this Guarneri copy by Glen Collins
These photographs of a 1987 copy of the ‘d’Egville’ Guarneri by Glen Collins appeared in the April 1991 issue alongside an interview feature with Yehudi Menuhin on the occasion of his 75th birthday. The interviewer was Tully Potter – who still works with The Strad as our historical consultant
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FocusLuthiers' favourite gadgets from ancient plant matter to the latest tech
We asked some top makers and restorers to share their favourite labour-saving devices, and got a fascinatingly broad range of responses
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GalleryFrom The Strad Calendar 2018: Stradivarius ‘Lam, ex-Scotland University’ violin, 1734
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from the Lerner-Lam family collection featuring in November. Text by John Dilworth
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NewsTourte bow demolishes price records in French auction
Violin bow by François Xavier Tourte sells for €576,600 (c.$687,000) at Vichy Enchères the day after same house breaks record for violin by Vuillaume
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NewsNew record set for Vuillaume violin once owned by Eugène Ysaÿe
Vichy Enchères sale of Bernard Millant collection sees J.B. Vuillaume reach €260,000
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GalleryFrom the archive: double basses by Montagnana, Rocca, Guadagnini and Panormo
These photos were published in the February 1991 issue of The Strad in a focus on the double bass, including a interviews with Barry Guy, and Samuel & Barry Kolstein, a profile of the Ouchard bass bow making workshop, and a tribute to Towry Piper whose 1911 articles for The ...
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VideoFinding Bespoke: The Violinmaker – A film by Michael Bernard featuring Benning Violins
Filmmaker Michael Bernard’s short film in his ‘Finding Bespoke’ series visits Benning Violins, a four-generation lutherie workshop in Los Angeles. Eric Benning is featured in the December 2017 issue of The Strad’s ‘My Space’ column – to read the full article, download the issue on desktop computer, ...
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FocusHi-res revelations: how CT scanning is revealing the secrets of the old Cremonese makers
In the January 2018 issue of The Strad, Rudolf Hopfner explores the CT scanning of stringed instruments, explaining how the technology works, some of the terms involved, and exactly what kind of revelations can be gleaned from the resulting images. Below, he interprets CT images of instruments by Amati, Stradivari, ...
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FocusCan these new tailpiece designs raise the tonal game of your instrument?
Until recently, the importance of an instrument’s tailpiece was barely realised. Vicky Sharpe talks to some of the craftsmen who have been experimenting with different materials and designs to help maximise an instrument’s sound quality
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VideoEdgar Russ: The right soundpost position
Continuing his YouTube series, Cremona-based luthier Edgar Russ talks about how to work out the correct position of the soundpost
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VideoChristian Tetzlaff on his 2000 Greiner violin
Christian Tetzlaff switched from playing older instruments to a modern one built by the German luthier Stefan-Peter Greiner. In this video from the Czech Philharmonic he suggests that ”Stradivari and Guarneri ‘del Gesù’ were fantastic violin makers but their instruments are not good because they are old and Italian, but ...
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VideoVadim Gluzman on the 1690 ‘Leopold Auer’ Stradivarius
In this video from the Czech Philharmonic, Vadim Gluzman recalls meeting the ‘Leopold Auer’ Stradivari 21 years ago and how it feels to play the instrument which belonged to the great violin pedagogue who tauch Mischa Elman, Jascha Heifetz and Nathan Milstein
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GalleryFrom The Strad Calendar 2018: Violin by Andrea Amati, c.1566
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from a private collection in Germany featuring in October. Text by John Dilworth
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FocusFrom the Archive: the 1729 ‘Récamier’ Stradivarius from the January 1991 issue of The Strad
Mischa Elman’s violin was featured alongside an article marking his centenary, extracted from the book Mischa Elman and the Romantic Style by Allan Kozinn
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FocusStradivari's Cremona was an unstable place, ravaged by war and disease
Exactly 280 years ago in December, master violin maker Antonio Stradivari met his end. Here Andrew Dipper recounts how the changes that took place in Cremona during his final years influenced the creation of his later masterpieces
