All Debate articles – Page 6

  • OpinionSept13
    Debate

    Use intellect, not instinct

    2013-08-05T00:00:00Z

    Instead of simply focusing on technical prowess, performers should have as profound an understanding of music theory as composers do, argues cellist David Watkin, since it can only serve to develop their skills

  • OpinionAug13
    Debate

    Sources of inspiration

    2013-07-24T00:00:00Z

    If players and teachers were less cagey about where they discovered their ideas, Philippa Bunting argues, it would be more interesting for audiences and more valuable for their peers

  • commission
    Debate

    Secret commissions: the dark side of teaching

    2013-07-22T00:00:00Z

    Teachers must be open about any commission they get when a student buys an instrument, argues Ariane Todes

  • bow_maker
    Debate

    Embrace the difference

    2013-06-30T00:00:00Z

    Luthiers often have more experience than players of Baroque instruments and bows. So, says US bow maker David Hawthorne, they should be fearless in producing authentic equipment to enlighten and inform

  • blankpage
    Debate

    Fear of a blank page

    2013-05-09T00:00:00Z

    There's nothing stopping string players from commissioning their own works, argues cellist David Cohen – apart from their own reluctance

  • zip
    Debate

    No more excuses - Sally Beamish

    2013-04-08T00:00:00Z

    Sally Beamish laments that it's taken the tragic death of violinist Frances Andrade for the damage done by predatory music teachers to be seriously addressed

  • Koala
  • pic6
    Debate

    Rise to the challenge

    2012-12-21T00:00:00Z

    It's new repertoire that will attract 21st-century audiences to the concert hall, argues violinist Joel Smirnoff – and string players should be spearheading the revolution

  • pic5
    Debate

    Hear no evil?

    2012-11-22T00:00:00Z

    Recent allegations about child abuse at the BBC have exposed a culture of turning a blind eye. Music education institutions must learn from the consequences of such an attitude, argues Ariane Todes

  • Thomas Martin Photo: Tudor Photography
    Debate

    Could do better

    2012-08-22T00:00:00Z

    String teachers should improve their own skills to help students improve, instead of going overboard with encouragement and hoping that the problems will fix themselves, argues Simon Fischer

  • pic1
    Debate

    Tell your own story

    2012-07-25T00:00:00Z

    String players shouldn't put up with badly written, out-of-date biographies put together by agents, argues Helen Michetschläger. Do it yourself and reap the rewards

  • pic14
    Debate

    Hey, I got a social disease

    2012-03-22T00:00:00Z

    Twitter has emerged as a great way for string players to engage with their audiences. But if they try too hard to sell themselves they undermine the whole point of social media, argues Ariane Todes

  • Repeat
    Debate

    Play that bit again please

    2012-02-22T00:00:00Z

    Composers included repeats for a reason, but many players choose to exclude them. This is irresponsible, argues Tully Potter, and shows a lack of imagination

  • pic12
    Debate

    When violins dominate the world

    2012-02-02T00:00:00Z

    If the double-blind testing of old and new instruments has proven anything, it is that the public is captivated by the subject. Could this fascination herald an Arab Spring for the string world, asks Ariane Todes

  • pic11
    Debate

    Help wanted

    2011-12-22T00:00:00Z

    The Louisville Orchestra's management is advertising for musicians – but it's the players themselves who really need a hand, argues Heather Kurzbauer

  • Strads on show
    Debate

    Lock up the valuables

    2011-11-25T00:00:00Z

    Should the world's top violins, violas and cellos always be available for playing? No, says Philip Kass. Some are simply too precious to be exposed to destructive human hands

  • Nigel
    Debate

    Careless talk costs lives

    2011-10-27T00:00:00Z

    Nigel Kennedy used his recent BBC Prom to issue a condemnation of period performance. But, says Ariane Todes, he should get his facts right, and spare a thought for those colleagues whose reputations he's belittling