Sentimental Work: Nadia Sirota on Hindemith’s Trauermusik

NadiaGolden by Zoe Prinds-Flash

Despite its short length, Hindemith’s Trauermusik was an eye-opening concerto for the US violist, revealing all the possibilities of the instrument’s sound world

Hindemith’s Trauermusik is an important piece for me in many ways. It was the first piece I played as a soloist with orchestra; it brings back memories of a very special teacher; and it was one of the first pieces I played when I made the transition from violin to viola aged 13. At the time I never felt like the violin was the right instrument for me, but taking on the viola just clicked…

Already subscribed? Please sign in

Continue reading this article and explore hundreds more…

  • Easy registration

    Sign up to access select Strad content and the option to receive our weekly newsletters

  • Free 7-day subscription

    Full access including all subscriber content and the digital archive

    No strings attached – we won’t ask for card details