All Regulars articles – Page 33
-
Premium ❘ FeatureAn interview with Sarasate - From the archive: May 1893
Spanish virtuoso Pablo de Sarasate gives an exclusive interview to The Strad in his eye-wateringly bright yellow salon in Paris
-
Premium ❘ FeatureMasterclass: Glazunov Elegy in G minor for viola and piano op.44
Violist Paul Laraia explores the lyrical possibilities of this miniature masterpiece and the emotional journey on which it takes the listener
-
Premium ❘ FeatureTechnique: Itzhak Rashkovsky on Sostenuto
The violinist shares his thoughts on sostenuto and how to sing on the violin
-
Premium ❘ FocusPostcard from Oslo: ‘Master to Master’ symposium
Musicians, luthiers and experts converged on Oslo’s National Museum in February for ‘Master to Master’, Christian Lloyd reports
-
Premium ❘ ArticleAnalysis May 2023: Support for young string quartets
A European initiative aims to give young talented string quartets the professional start they deserve
-
Premium ❘ ArticleProducts May 2023: For-Tune Opal Gold violin strings
The second set in the company’s Opal Gold range
-
![[1] menil trio pc Ji-Yeon Lee](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/8/2/6/29826_1meniltriopcjiyeonlee_609563_crop.jpg)
Premium ❘ NewsCompetitions, Awards and Appointments: May 2023
This month’s competition results, appointments and forthcoming contests
-
-
Premium ❘ ArticleProducts May 2023: Rimowa x Gewa violin case
Gewa and Rimowa collaborate on a new case
-
Premium ❘ ArticleMay 2023: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the May 2023 issue
-
![[letter 4] Just-Dragonetti-bass](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/6/6/7/29667_letter4justdragonettibass_69173.jpg)
Premium ❘ Article‘Now the boot is on the other foot!’ - Letters to the editor: May 2023
A selection of letters The Strad receives each month from its readers around the world: May 2023 issue
-
Premium ❘ News‘Played with a bamboo chopstick’ - Premiere of the Month: A world of difference
A cello concerto based on musical contrasts
-
Premium ❘ FocusSentimental Work: Tanja Tetzlaff on Lutosławski’s Cello Concerto
Despite being a challenging piece, the Lutosławski Cello Concerto brings back memories for the German cellist, from her tutor Heinrich Schiff to her own teaching experience
-
Premium ❘ FeatureMaking Matters: Choosing the right wood
Bridge maker Milo Stamm gives his thoughts on wood selection and preparation
-
Premium ❘ Feature‘A constant exchange of knowledge’ - My Space: Julia Jostes & Simon Eberl
Take a peek into the couple’s Lübeck workshop
-
Premium ❘ FeatureMasterclass: Augustin Hadelich on Tchaikovsky’s Violin Concerto part 1
In the first of a two-part article Augustin Hadelich discusses timing, tradition and character in the acrobatic first movement
-
Premium ❘ FeatureMasterclass: Antje Weithaas on Brahms Violin Concerto part 2
Antje Weithaas completes her exploration of the concerto’s first movement, in the second of a two-part article
-
Premium ❘ FeatureTechnique: Gut strings on double bass
Bassist Rob Nairn on getting to grips with gut strings on the double bass for historical performance
-
Premium ❘ FocusOpinion: French or German bass bow hold?
Rodrigo Moro Martín, the London Symphony Orchestra’s new principal double bass, argues that the two tribes who favour French and German bow holds should coexist in perfect harmony
-
Premium ❘ FeatureIn Focus: An 1824 violin by Nicolas Lupot
Richard Ward looks at an instrument made in the last year of the French luthier’s life
