All Performance nerves DO NOT USE articles – Page 2
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Blogs9 ways for musicians to think like top athletes
Carole Talbot-Honeck earned her Masters degree from The University of Ottawa studying the psychological prerequisites for optimal musical performance. Here, she outlines a number of sporting attitudes, which are of equal value to musicians
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BlogsConquering performance nerves: sweaty hands, losing bow grip
Brian Hodges answers student questions on coping with stage fright
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BlogsBecoming a better and happier musician through mindfulness and yoga
Violinists Elena Urioste and Melissa White’s musical lives have been transformed by yoga, finding both body and mind freer and more resilient against the rigours of life as a professional musician
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ArticleHow I manage my nerves on stage: violist Tabea Zimmermann
The German violist reflects on managing self-doubt, concentrating on the positive and breathing
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FocusIs popping pills the sure way to beat performance nerves?
In this article from The Strad August 2010, Catherine Nelson talks to musicians and medical experts about the risks and benefits of using beta-blockers to overcome performance anxiety, and why their use is still such a sensitive subject
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BlogsHow do I overcome the fear of not being good enough?
Brian Hodges and Diana Allan answer student questions on coping with stage fright
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BlogsConquering performance nerves: how can I become more comfortable during lessons?
Brian Hodges and Diana Allan answer student questions on coping with stage fright
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Blogs5 things you need to succeed as a musician
Northwestern University viola professor Helen Callus describes the combination of skills necessary to succeed as a musician - talent being just one in a mixture of abilities
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ArticleShould orchestral musicians be fearful of their conductor?
Explore more Featured Stories like this in The Strad Playing Hub People would still have nervous twitches when they came to certain passages because the conductor was such a tyrant and so mean spirited. Ten years later they still had a physical reaction.' Conductors and orchestral musicians speak about ...
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DebateInstrumental teachers should discourage competition among their students
It's worth managing pressures in the early stages of a musician's development, argues Naomi Yandell
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NewsSurvey finds 65% of musicians have suffered from depression
In addition 71% are afflicted with anxiety and panic attacks
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Blogs'If career becomes more important than the music, your soul becomes empty,' says cellist Steven Isserlis
Cellist Steven Isserlis on the importance of putting your art first
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DebateToo often, performance presentation skills are left in the lap of the gods
It is desirable for music teachers to take stage presentation skills seriously from the very start, argues Naomi Yandell
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ArticleMadeleine Mitchell on becoming a complete violinist
The violinist and Royal College of Music, London professor speaks about adopting a rounded approach to being a musician
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ArticleViolinist Hilary Hahn on owning the stage
You can't be afraid when you go on stage. If you're afraid you'll just be replicating what you think other people want you to do - and replicating is never the way to convince people you know what you're doing.' Hilary Hahn speaks about performing on stage ...
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ArticleViolinist Midori on coping with stage fright
Violinist Midori speaks about dealing with performance nerves for Classical Chops.
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Premium ❘ FeaturePlaying chamber music is the best way for children to learn an instrument
Group activities and chamber music making are the best ways for young players to develop confidence – and enjoy learning, as pedagogue Sheila Nelson argues
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NewsStudents practise performance skills on virtual audience
The Royal College of Music, London and Conservatorio della Svizzera Italiana, Lugano have developed a performance simulator
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BlogsViolinist Nikolaj Znaider on conquering performance nerves
The Strad’s March 2015 cover star says musicians must always put the music first
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NewsPerformances for an audience ‘sound better’ despite musician nerves, says study
The experiment tested recordings of performances by 13 pianists on 153 listeners
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