Musical groundbreakers: female luthiers and their experiences in the lutherie industry

Grazie Maestra

In the past few years, women from all walks of life have been reporting incidents of sexist behaviour in their workplaces. Is a violin workshop any different? Femke Colborne discusses the question with a range of female luthiers

The following extract is from the article ’Female luthiers: And justice for all?’ that was published in The Strad’s November 2018 issue

Gudrun Kremeier is, by any standards, a highly successful violin maker. Born in Germany and now based in the Netherlands, she runs a thriving business and is active in several international associations. But there is something, she believes, that makes her success even more notable: the fact that she is a woman.

She recalls an incident from her time as a student in Mittenwald: shortly after she graduated in 1992, the school appointed a new director. One of his first comments was that it would be a great idea for the school to attract more female students, because they would only go on to have babies and quit the profession, meaning less competition for the men.

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