All Lutherie articles
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Premium ❘ FeatureMaking Matters: How six bow makers crafted a bow in three days
Making a bow in three days is a tall order for anyone – but for six bow makers together? Pierre Nehr explains how April’s ‘Bow Rush’ event in Paris became an educational experience for all concerned
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Premium ❘ Feature
My Space: Martin Krause
The luthier, based in Saarbrücken, Germany, invites us into his workshop
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‘Interventions led to an almost total removal or retouching of the original materials’ - Comparing three 1734 Guarneris
Researchers based at Cremona’s Museo del Violino recently had the chance to examine three priceless violins made by Giuseppe Guarneri ‘del Gesu’ in the same year – 1734. Giacomo Fiocco explains the technical methods used to analyse the trio, and what they revealed about the surface materials and design idiosyncrasies
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Premium ❘ Feature
Revealing Sartory's secrets: A look at one of the 20th century's finest bow makers
Often called the finest bow maker of the 20th century, Eugène Sartory was a fastidious artisan whose work shows efficiency and reliability. Richard Morency examines a bow from Sartory’s middle period to reveal his working methods
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Premium ❘ Feature
In Focus: A 1766 cello by Carlo Ferdinando Landolfi
Philip Brown looks at the Milanese maker’s mid-century instrument
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News
Nicolò Gagliano violin recovered in Berlin
The priceless instrument, missing for three years, was discovered by police conducting a different investigation
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Focus
‘Every day there is something new’: Pekka Kuusisto on the c.1709 ‘Scotta’ Stradivari violin
Recently loaned the instrument by a patron through Tarisio, the violinist shares his thoughts on playing this ’golden period’ Strad
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Trade Secrets: Making a Baroque cello bridge
A method that allows the luthier to create their own design rather than rely on a pre-cut template
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Review
Book review: The Luthier’s Manual by J.C. Maugin
Andrew Dipper delves into a new translation of the 19th-century treatise by John Saucier, W. Brad Holley and Kate Rickenbacker
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Premium ❘ Feature
In Focus: An 1875 viola by Domenico Degani
Ernst Fuchs details an instrument by the accomplished maker, now best-known as the father of Eugenio Degani
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News
Scottish violin maker Brian Rattray dies aged 83
The luthier ran a successful workshop in Colinton, on the outskirts of Edinburgh
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Gallery
Photo gallery: Ionel Manciu’s Gennaro Gagliano violin
Violinist Ionel Manciu provides an up-close look at his Gennaro Gagliano violin ahead of his appearance with the Mithras Piano Trio at Music at Paxton
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François-Nicolas Voirin: The Second Tourte
The bows of François-Nicolas Voirin had more influence than those of any other bow maker after F.X. Tourte. In the first of two articles, Matt Wehling explores Voirin’s life and career, and examines why his bows were so successful with players
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In Focus: A 1762 violin by Gennaro Gagliano
Yuri Pochekin examines the Neopolitan maker’s 18th-century instrument
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News
‘Hellier’ Stradivari violin fails to sell at auction
The inlaid instrument was a highlight of Christie’s ’Exceptional Sale’ on 7 July
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Article
Deconstructing the Andrea Amati ‘King’ cello
In an article from June 2015, Matthew Zeller examines five centuries of alterations made to the world’s oldest cello, housed at the National Music Museum in Vermillion, South Dakota, and asks what they reveal about the evolution and development of the standard cello form
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A Massive Achievement: the ‘Romanov’ Nicolò Amati viola
Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces. Alberto Giordano and Rudolf Hopfner investigate its turbulent history and examine how it fits into the Amati family’s oeuvre
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Focus
From the Archive: Andrea Amati, 1564 ‘Charles IX’ violin from the Ashmolean Museum collection
In this extract from an article from the December 1991 issue of The Strad, Roger Hargrave discusses the ‘Charles IX’ Andrea Amati instruments with particular reference to this 1564 example from the Hill collection at the Ashmolean Museum in Oxford
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Feature
In Focus: a 1682 violin by Nicolò Amati
Precision and elegance abound in this grand pattern Amati once owned by the Italian virtuoso Spagnoletti, writes Christopher Reuning
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Premium ❘ Feature
In Focus: A c.1680 double bass by Girolamo Amati II
René Zaal details an instrument by the son of the more well-known Nicolò Amati, and the grandson of his namesake Girolamo Amati I
