Lutherie – Page 40
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NewsPhilharmonie de Paris announces lutherie competition
The contest will be held next January for students and professional instrument makers
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Premium ❘ FeatureBaroque Instruments: Evolutionary Road
In the first of a two-part article from February 2013, Roger Hargrave traces the development of the violin from the Baroque era to modern times – and refutes some long-held beliefs in the process
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Premium ❘ FeatureBaroque instruments: Period of Adjustment
Although the basic violin set-up has changed little from Baroque times, many of its parts have altered radically. In the second of two articles, from March 2013, Roger Hargrave tracks the development of strings, fingerboards and the neck root
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GalleryPhoto gallery: the decorated instruments of Leonardo Frigo
The Italian artist’s exhibition ‘Infernus’ runs at Vicenza’s Basilica Palladiana until 31 August
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FocusViolin making at Xinghai Conservatory of Music
In this extract from the July issue, Sisi Ye examines one violin making school in China teaching the art of lutherie to young people
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NewsNew study reveals the wood treatments used by Stradivari, Amati and Guarneri
The report reveals how the luthiers changed the molecular structure of the spruce used for instrument tops
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Premium ❘ FeatureCarlo Bergonzi 1735 ‘Baron Knoop’ violin: Measure for measure
Rudolf Hopfner explains how the vast majority of measurements for The Strad ’s latest poster were taken from micro-CT scans of the ‘Baron Knoop’ Bergonzi
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Premium ❘ FeatureViolin making schools in China: The way of the future
In the second of two articles on violin making in China, Sisi Ye examines the schools teaching the art of lutherie to young people, where tuition can last up to ten years and a grounding in music theory is essential
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Premium ❘ NewsAnalysis July 2021: A rickety career ladder
In the UK, since opportunities for recent lutherie graduates are few and far between, many are turning to self-employment to make ends meet. By Peter Somerford
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Premium ❘ FeatureIn Focus: An 1865 violin by Samuel Nemessányi
Zoltán Délczeg details an instrument by a maker considered to be the most famous in Hungarian history
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Premium ❘ FeatureTrade Secrets: An easy system for making a template and a mould
A method to create classical forms inspired by the work of the Cremonese masters
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Premium ❘ FeatureMy Space: Jamie Marie Lazzara
The luthier’s workshop, based in Florence Italy, is just six square metres and was used in the filming of Hannibal
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Premium ❘ FeatureMaking Matters: Thank you for sharing
CT scanning of instruments is becoming more and more commonplace – so why is it so difficult to get hold of the data? Harry Mairson and Paolo Bodini enter a plea for CT information to be made more accessible to luthiers and researchers
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NewsInmates repair violins in Czech prison initiative
More than 200 stringed instruments have been mended, and 30 built from scratch, in the innovative scheme
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ArticleA family tree of Italian violin makers
This illustrated representation of violin making in Italy first appeared in The Strad’s August 1891 issue
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NewsSheku Kanneh-Mason loaned 1700 Gofriller cello
The instrument ‘presents a kaleidoscope of tonal qualities’ and ’has an uncanny capacity to respond’ according to the cellist
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NewsWinners announced at SVA Violin Makers Competition
The contest, which takes place every two years, was held according to strict Covid-19 guidance
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Premium ❘ FeatureKnopf dynasty: A tangled web
Three bow makers of the Knopf family are well known: Christian Wilhelm, Heinrich and Henry. But the dynasty comprises more than a dozen members, many of whom deserve recognition. Gennady Filimonov draws on archive material supplied by the Knopf descendants
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Premium ❘ FeatureVincenzo Postiglione: Fair copies
Vincenzo Postiglione was one of Naples’ leading instrument makers in the late 19th century, and his work is well represented in its Conservatory of Music. Luigi Sisto examines two copies of instruments by Mariani and Gofriller, to find what they reveal about his making style
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Premium ❘ FeatureTrade Secrets: Making a single-use mould
A method that can be used when making one-off instrument commissions
